By clicking on this link you can access the live stream of the Long Night of Academic Writing.
The stream is offered on the platform vimeo. This provision is made under separate responsibility for the processing ("controller-to-controller") of personal data in accordance with Art. 26 DSGVO and on the basis of the service provider's general terms and conditions of business, use and data protection. Information on the processing and use of personal data is described in the data protection declaration of the Bauhaus-Universität Weimar. You can find the vimeo data protection declaration here.
During the live broadcast, there may be temporal deviations in the program. We will inform you as soon as possible in the programme.
Starting at 7.30 p.m.: Open Reading – when academic texts touch us
Academic texts are the basis of research and can provide important impulses in social discourse. At the same time, they can move us, stir us up and lure us out of our mental comfort zones.
During what is probably the longest "virtual" reading at the Bauhaus-Universität Weimar, academic documents of this kind will be presented. Students, doctoral candidates, professors, employees of the Bauhaus-Universität Weimar and actors of the German National Theatre Weimar - they will all talk about texts that have particularly moved, influenced or enriched them, and then read their favourite passages.
Programme of the Open Reading
Starting at 7.15 p.m.
Starting at 7.15 p.m.
- Ophelia Ariadne und Flo Hasenfuß (Hochschule für Musik FRANZ LISZT): voice and guitar
- Frank Simon-Ritz (University Library): Auf den Schultern von Riesen by Robert K. Merton (1980/1965)
- Anna Windmüller (German National Theater Weimar): Der Trafikant by Robert Seethaler (2012)
- Inés Toscano (Faculty of Architecture and Urbanism): Room at the Top? Sexism and the Star System in Architecture by Denise Scott Brown (1989)
- Bernd Lange (German National Theater Weimar): Die Kegelbahn by Wolfgang Borchert (1947)
- cancelled: Viktor Dallmann (Faculty of Art and Design): Uncanny Influencers by Viktor Dallmann (2020)
- Johanna Geißler (German National Theater Weimar): Maria Stuart by Friedrich Schiller (1800)
Starting at 8.30 p.m.
- Lukas Fischer (Hochschule für Musik FRANZ LISZT): piano
- Isabel Tetzner (German National Theatre Weimar): Bilder deiner großen Liebe by Wolfgang Herrndorf (2014)
- Ulrike Kuch (Faculty of Architecture and Urbanism): Stil und Stoff im Film by Erwin Panofsky (1937)
- Janus Torp (German National Theatre Weimar): Nicht Du by Lara Torp (2020)
- Klaus Schmitz-Gielsdorf (Faculty of Architecture and Urbanism): Das wohltemperierte Gehirn by Robert Jourdain (2001)
- Nahuel Häfliger (German National Theatre Weimar): Hyperion by Dan Simmons (1989)
- Max Welch Guerra (Faculty of Architecture and Urbanism): G.W.F. Hegel's inaugural lecture at the Humboldt University in Berlin (22.10.1818) and K. Marx's speech at the annual celebration of the »People's Paper« in London (14.04.1856)
- Dulmini Perera (Faculty of Architecture and Urbanism): Our Own Metaphor: A Personal Account of a Conference on the Effects of Conscious Purpose on Human Adaptation by Mary Catherine Bateson (2005)
Starting at 9.55 p.m.
- Julius Maier and Martijn Dendievel (Hochschule für Musik FRANZ LISZT): Sonatina for violin and cello by Arthur Honegger
- Frank Eckardt (Faculty of Architecture and Urban Studies): Chicago Housing Conditions. X. Greeks and Italians in the Neighborhood of Hull House by Natalie Walker (1915)
- Celina Berghaus (Faculty of Media): Epistemische Gewalt – Wissen und Herrschaft in der kolonialen Moderne by Claudia Brunner (2020)
- Thomas Kramer (German National Theater Weimar): Schweinegrippe, aus: Ich glaub, mir geht’s nicht so gut, ich muss mich mal irgendwo hinlegen REMIX 3 by Benjamin von Stuckrad-Barre (2018)
- Ricarda Löser (Faculty of Art and Design): Wissenschaftssprache. Eine Gebrauchsanweisung by Valentin Groebner (2012)
- Tahera Hashemi (German National Theater Weimar): Der Kleine Prinz by Antoine de Saint-Exupéry (1943)
- Katrin Richter (University Library): Ein Abend auf Rothschilds Residenz, Aus: Die Medien der Börse by Katrin Richter (2020)
- Philipp Otto (German National Theater Weimar): Novecento. Die Legende vom Ozeanpianisten by Alessandro Baricco (1999)
- Vanessa Ramos-Velasquez (Faculty of Art and Design): Manifesto Antropófago (Anthropophagic Manifesto) by Oswald de Andrade (1928)
Starting at 11.30 p.m.: Musical closing
Live music by the student initiative Tonraum with experimental music by Timm Weber & Jad Murad.
The melodic conclusion of the Long Night is created by Tonraum members Timm Weber and Jad Murad. From 11.30 p.m. they will play live in the university library and ensure that the event can enjoy an experimental musical finale.
Tonraum is a place and a loose association of people who love music. They want to provide and create a space and a community where people can educate themselves and each other about electronic music and club culture. In addition, producers* and those who want to become producers are welcome, as well as people who enjoy learning about new music and want to exchange ideas with a group of music lovers.
For more information just have a look at the Tonraum's website: https://m18.uni-weimar.de/stuko/initiativen/tonraum