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Collage featuring two portraits. On the left, Mai Do faces the camera wearing a light-coloured coat over a black top, her dark hair tied up. On the right, Teresa Fischer stands with folded arms in front of a building facade, wearing a black cap, glasses, a black T-shirt and white dungarees.
Photo left: Mai Do; photo right: Lee Everett Thieler
Published: 30 June 2026

Double Success: Weimar Students Receive Emerging Artist Funding for Socially Critical Photography Projects

Two photography projects from the Faculty of Art and Design at the Bauhaus-Universität Weimar (by Mai Do and Teresa Fischer) are among the eight works selected for the new »Expanded Horizons« international funding programme. The »Körber-Stiftung« and the »Haus der Photographie der Deichtorhallen Hamburg« are awarding 1,000 euros in prize money and production funding to each project for further development. Starting in November 2026, the »PHOXXI – Haus der Photographie« in Hamburg will be showcasing the projects in an exhibition.

Portrait of Mai Do. She faces the camera wearing a light-coloured coat over a black top. Her dark hair is tied up.
Photo: Mai Do

Mai Do studies Visuelle Kommunikation (Visual Communication) (B.A.) at the Faculty of Art and Design. Her »Every Weekend, Our Attic Becomes Vietnam« project explores how the Vietnamese diaspora in Germany developed new forms of cultural exchange and community gathering in digital spaces during and after the COVID-19 pandemic. The starting point of the project is her own family history: Her mother regularly sings Vietnamese songs livestreaming on Facebook from the attic of the family home. Her father set up a studio there with a green screen, lighting, sound, and camera equipment. 

Do’s project focusses on more than the performance; it also highlights the often-invisible family care work and the technical infrastructure behind it. Mai Do examines how a sense of belonging and visibility emerge when a private space becomes a public stage. She does not see cultural preservation as stagnant, but as a continuous adaptation and communal practice. 

»With this grant, I hope to continue developing the project as a photobook and photographic exhibition; I want to make the connection between the intimacy of family, the digital visual world, and the diasporic public sphere something that can be experienced in a tangible way«, says Mai Do. »I focus on the question of how a sense of belonging can be made visible in an environment where it might not be automatically recognised. By doing this, I’m aiming to generate visibility shaped by my own agency – for my family, my community, and my own perspective.  I also want this project to continue in the long term and document other forms of physical and digital gathering.« 

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Three women wearing red áo dài stand in front of an orange wall. The woman on the right rests her hand on another woman's shoulder while all three look in different directions.
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
Two people appear as bright silhouettes against a luminous green screen.
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
Night-time view of a residential building. A green screen glows from an attic window, indicating the improvised livestream studio inside.
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
Portrait of a smiling woman holding a microphone. She wears a white top with red dots and a pink headband while looking into the camera.
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
View into an improvised attic studio. Cameras, softboxes and other lighting equipment stand between clothing racks filled with colourful stage costumes.
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
A camera on a tripod stands in front of a green screen. Stage costumes hang in the foreground, with studio lighting and additional equipment visible nearby.
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do
»Every Weekend, Our Attic Becomes Vietnam«; Photo: Mai Do

Increased Visibility for Lesbian Realities

Portrait of Teresa Fischer. She wears a black cap, glasses, a black T-shirt and white dungarees. Standing with folded arms in front of a shop window, she looks into the camera.
Photo: Lee Everett Thieler

Teresa Fischer is a doctoral candidate at the Faculty of Art and Design. Her work examines the visibility of lesbian history and the gaps in public records. The »Herstory Repeats Itself« series is a photographic reimagining of early amateur photographs of sapphic, queer, and lesbian couples. Fischer’s work is inspired by historical images depicting lesbian couples kissing – images that often disappear into private archives as collector's items. 

She revisits these visual themes using amateur cameras from the 1910s to the 1950s. In doing this, she challenges the erasure of lesbian realities with modern images. Her series also explores queer spaces, the sense of belonging, and how public spaces can be reinterpreted through visibility, affection, and empowerment. 

The AI-generated series »Everybody Wants to Leave Here« visualises the largely undocumented police raids on historic lesbian bars and the ensuing consequences. Lesbian spaces are often remembered as places of love, community, and refuge. The series also highlights the violence, harassment, and constant threat of persecution. Inspired by oral histories and texts such as Leslie Feinberg’s »Stone Butch Blues«, Fisher reveals another gap in the public records: the lack of documentation of violence against lesbians throughout history. »I’m interested in producing my series in a more curated way and expanding it«, says Teresa Fischer, describing her plans for the future of the project. 

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black-and-white photograph: Two women stand facing each other on a pavement as they begin to kiss. In the background are a residential building with a vertical "BAUHAUS" sign and temporary barriers.
»Herstory Repeats Itself«; Photo: Teresa Fischer
Two women kiss on a grassy field in front of a large building. The black-and-white photograph shows the couple embracing beneath an overcast sky.
»Herstory Repeats Itself«; Photo: Teresa Fischer
Historic black-and-white photograph of a woman seated outside a building at night. Scratches and a bruise are visible beneath her right eye. Illuminated signs glow in the background, and the print shows scratches and signs of wear.
»Everybody Wants To Leave Here«; Photo: Teresa Fischer
»Herstory Repeats Itself«; Photo: Teresa Fischer
»Herstory Repeats Itself«; Photo: Teresa Fischer
»Everybody Wants To Leave Here«; Photo: Teresa Fischer

About »Expanded Horizons – Neue fotografische Perspektiven«

With »Expanded Horizons – Neue fotografische Perspektiven«, the »Haus der Photographie der Deichtorhallen Hamburg« and the »Körber-Stiftung« are pursuing a common goal: To provide long-term support for emerging international photographers and offer new ways for the public to engage with the world of photography. 

The grant programme provides support to eight emerging international artists every year. Their photography projects address socially relevant issues and push the boundaries of the medium. In addition to financial support, the programme also includes exhibitions, publications, and an international network. The first exhibition will be held from 20 November 2026 to 27 April 2027 at the »PHOXXI – Haus der Photographie der Deichtorhallen Hamburg«. 
https://koerber-stiftung.de/projekte/expanded-horizons/

Selected Projects from the Bauhaus-Universität Weimar

Mai Do: »Every Weekend, Our Attic Becomes Vietnam«

Advisors: Prof. Birgit Wudtke und Julia Albrecht 
www.instagram.com/oddmaido

Teresa Fischer: »Herstory Repeats Itself« und »Everybody Wants To Leave Here«

Advisors: Prof. Birgit Wudtke and Prof. Elke Gaugele, Academy of Fine Arts Vienna

Save the Date: »Expanded Horizons« Exhibition

Opening: Thursday 19 November 2026 
Venue: PHOXXI – Haus der Photographie Temporär der Deichtorhallen Hamburg
https://www.deichtorhallen.de/de/deichtorhallen/phoxxi 

In case of questions, please contact Romy Weinhold, Press and Public Relations Officer for the Faculty of Art and Design by phone at +49 (0) 3643/58-1186 or by e-mail to romy.weinhold[at]uni-weimar.de.

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