»Wer weiß? | Who knows?«: The summaery2022 had this deliberately ambiguous title and asked how, where and by whom knowledge is produced. Organized by the Faculty of Media, this year's annual show at the Bauhaus-Universität Weimar was finally able to take place on campus again after a two-year pandemic.

»Wer weiß? | Who knows?«: The summaery2022 had this deliberately ambiguous title and asked how, where and by whom knowledge is produced. Organized by the Faculty of Media, this year's annual show at the Bauhaus-Universität Weimar was finally able to take place on campus again after a two-year pandemic.

On Monday 18 July, the Thuringian minister will stop off in Weimar as part of her summer tour. The extent to which waste water should be analysed all across Germany to monitor the COVID-19 pandemic and other pathogens will be discussed during an exchange with Professor Silvio Beier and other partners from the pilot project »SARS-CoV-2 waste water monitoring in Thuringia« (CoMoTH).

Im Rahmen ihrer Sommertour macht die Thüringer Ministerin am Montag, 18. Juli, Halt in Weimar: Im Austausch mit Prof. Silvio Beier und weiteren Partner*innen des Pilotprojektes »SARS-CoV-2-Abwassermonitoring in Thüringen« (CoMoTH) wird diskutiert, inwiefern die Abwasseranalyse mit Blick auf das Pandemiegeschehen und weitere Krankheitserreger flächendeckend implementiert werden sollte.

This year, the Bauhaus-Universität Weimar’s annual show has the intentionally ambiguous bilingual title of »Wer weiß? | Who knows?« and explores how, where and by whom knowledge is produced. Among the projects due to be showcased is »PARFORCE«, a partnership for virtual laboratories in civil engineering within which students from the Faculty of Civil Engineering have been working on the question of how virtual and remote-controlled experiments can be integrated into university practice. We spoke to course tutor Mahsa Mirboland from the Professorship for Complex Structures about the project and the work with the students.

This year, the Bauhaus-Universität Weimar’s annual show has the intentionally ambiguous bilingual title of »Wer weiß? | Who knows?« and explores how, where and by whom knowledge is produced. Among the projects due to be showcased is »PARFORCE«, a partnership for virtual laboratories in civil engineering within which students from the Faculty of Civil Engineering have been working on the question of how virtual and remote-controlled experiments can be integrated into university practice. We spoke to course tutor Mahsa Mirboland from the Professorship for Complex Structures about the project and the work with the students.

This year, the Bauhaus-Universität Weimar’s annual show has the intentionally ambiguous bilingual title of »Wer weiß? | Who knows?« and explores how, where and by whom knowledge is produced. The Faculty of Media is responsible for organising the summaery2022, hence it is only logical that the project that has lent it its name also has its origins there. In the interdisciplinary project »SHAKIN’ – Sharing subaltern knowledge through international cultural collaborations«, students from the Faculty of Media, Faculty of Architecture and Urbanism, and Faculty of Art and Design question the origin of knowledge, including knowledge that does not emanate from an academic environment but rather from practice. The participants also examine knowledge created by other media though – by machines, orally via YouTube or through bodily practices such as dance, for instance. We spoke with course tutor Jun.-Prof. Dr. Eva Krivanec from the Professorship for European Media Culture about the project and the work with the students.

Die diesjährige Jahresschau der Bauhaus-Universität Weimar steht unter dem bewusst doppeldeutigen Titel »Wer weiß? | Who knows?« und fragt danach, wie, wo und von wem Wissen produziert wird. Die Fakultät Medien betreut die summaery2022 federführend, weshalb es nur konsequent ist, dass dort auch das namensgebende Projekt angesiedelt ist. Im interdisziplinären Projekt »SHAKIN' – Sharing subaltern knowledge through international cultural collaborations« haben Studierende der Fakultäten Medien, Architektur und Urbanistik sowie Kunst und Gestaltung nach dem Ursprung von Wissen gefragt, auch solchem, welches nicht dem akademischen Umfeld entstammt, sondern aus der Praxis kommt.

Die Teilnehmenden untersuchten dabei auch Wissen, das über andere Medien entsteht, beispielsweise durch Maschinen, in mündlicher Form über YouTube oder durch Körperpraktiken wie etwa den Tanz. Wir haben mit der Lehrenden Jun.-Prof. Dr. Eva Krivanec, Professur Europäische Medienkultur, gesprochen, sie zum Projekt und zur Arbeit mit den Studierenden befragt.

On Friday, 15 July, the Bauhaus-Universität Weimar is hosting two key events as part of its summaery2022 annual show. At 12:30–6 pm, visitors are invited to explore fascinating experiments, go on lab tours and view computer simulations along the 300-metre SCIENCE MILE Q3 on Coudraystraße: Are houses made of straw sustainable? And what exactly does plaster have to do with the coal phase-out? And how does a virtual mechanics lab work? Afterwards, the OPEN LAB NIGHT 2022 will begin in Schwanseestraße with virtual reality, game design and 3D engineering. Until 10 pm, visitors can tour the computer science labs and speak with the scientists and students while they enjoy cold beverages, barbecued food and DJ music.

Am Freitag, 15. Juli, lädt die Bauhaus-Universität Weimar im Rahmen ihrer Jahresschau summaery2022 zu gleich zwei großen Veranstaltungen ein. Von 12.30 bis 18 Uhr lockt die SCIENCE MILE Q3 in der Coudraystraße mit 300 Metern spannender Experimente, Laborführungen und Computersimulationen: Halten Häuser aus Stroh? Was hat Gips mit dem Kohleausstieg zu tun? Und wie funktioniert ein virtuelles Mechaniklabor? Anschließend beginnt die OPEN LAB NIGHT 2022 in der Schwanseestraße mit Virtual Reality, Game Design und 3D Engineering. Bis 22 Uhr können Besucher*innen hier die Labore der Medieninformatik besichtigen und sich bei Kaltgetränken, Grillgut und DJ-Musik mit den Wissenschaftler*innen und Studierenden austauschen.

This year, the Bauhaus-Universität Weimar’s annual show has the intentionally ambiguous bilingual title of »Wer weiß? | Who knows?« and explores how, where and by whom knowledge is produced. The project »Hyperobjects – radical visions of the future / the limits of our human imagination« is among those due to be showcased: twenty students from the fields of art education, product design, media art and visual communication have each devoted themselves artistically to their own hyperobjects, i.e. topics whose extent surpasses the understanding of space and time. The spectrum ranges from collective phenomena such as climate change, the relationship between nature and technology or the scarcity of resources to topics like anonymity, identity, time, death or loss that affect people in different ways. We spoke to the students Antonia Stella Pfadenhauer and Maximilian Götz as representatives for all course participants and asked them about their work and »knowledge«.

This year, the Bauhaus-Universität Weimar’s annual show has the intentionally ambiguous bilingual title of »Wer weiß? | Who knows?« and explores how, where and by whom knowledge is produced. The project »Hyperobjects – radical visions of the future / the limits of our human imagination« is among those due to be showcased: twenty students from the fields of art education, product design, media art and visual communication have each devoted themselves artistically to their own hyperobjects, i.e. topics whose extent surpasses the understanding of space and time. The spectrum ranges from collective phenomena such as climate change, the relationship between nature and technology or the scarcity of resources to topics like anonymity, identity, time, death or loss that affect people in different ways. We spoke to the students Antonia Stella Pfadenhauer and Maximilian Götz as representatives for all course participants and asked them about their work and »knowledge«.

Visitors to the summaery annual show of the Bauhaus-Universität Weimar are always spoilt for choice. It seems almost impossible to visit all 150 of the projects at the more than 50 locations and to consider each of them in any great depth. We’ve compiled the details of a few of the projects below to provide a few insights and whet your appetite for more.

This year, the Bauhaus-Universität Weimar’s annual exhibition has the intentionally ambiguous bilingual title of »Wer weiß? | Who knows?« and explores how, where and by whom knowledge is produced. The interdisciplinary project entitled »Lightweight Highrise Buildings – vertikale Stadtquartiere der Zukunft« is among the projects being showcased. A total of 17 Master’s students of architecture and civil engineering addressed the question of how sustainable, resource-saving and, above all, efficient building will be possible in the future. We spoke to the students Lara Engelke, Marc Bisselik and Robin Fechtel as representatives for all course participants and asked them about their work and »knowledge«.

This year, the Bauhaus-Universität Weimar’s annual exhibition has the intentionally ambiguous bilingual title of »Wer weiß? | Who knows?« and explores how, where and by whom knowledge is produced. The interdisciplinary project entitled »Lightweight Highrise Buildings – vertikale Stadtquartiere der Zukunft« is among the projects being showcased. A total of 17 Master’s students of architecture and civil engineering addressed the question of how sustainable, resource-saving and, above all, efficient building will be possible in the future. We spoke to the students Lara Engelke, Marc Bisselik and Robin Fechtel as representatives for all course participants and asked them about their work and »knowledge«.

Im Interview mit der Deutschen Forschungsgemeinschaft (DFG) berichtet Prof. Conrad Völker, Professur Bauphysik, von den experimentellen Versuchen im Schlierenlabor zur Erforschung der Verbreitung von Atemluft im Zuge der Pandemie (Seite 77).

Im Interview mit der Deutschen Forschungsgemeinschaft (DFG) berichtet Prof. Conrad Völker, Professur Bauphysik, von den experimentellen Versuchen im Schlierenlabor zur Erforschung der Verbreitung von Atemluft im Zuge der Pandemie (Seite 77).

Was verrät das Abwasser über uns? Und wie lässt es sich nutzen, um Infektionskrankheiten wie das Coronavirus zu bekämpfen? Professor Silvio Beier von der Bauhaus-Universität in Weimar im Interview bei »Tag & Nacht. Magazin für Energie und mehr«.

Simon Surjasentana studiert seit 2016 im Studiengang Freie Kunst an der Fakultät Kunst und Gestaltung. Um sein Studium zu finanzieren, arbeitet er halbtags auf der Intensivstation des Sophien- und Hufelandklinikums Weimar. Die Eindrücke als Pfleger verarbeitet er in seiner Malerei, die ab 7. Juli 2022 in einer Einzelausstellung im Thüringer Landtag zu sehen sein wird.

What do smart materials and artificial intelligence have to offer when it comes to sustainable and modern transport infrastructure? From 30 June to 1 July 2022, the Bauhaus-Universität Weimar will be hosting nearly 70 experts from the industry and academia to a professional forum discussion at »mon ami« in Weimar. Best practice examples and the latest results from initial research will be presented.