Master's thesis by Media Arts / Media Design alumnus in the programme of the International Documentary Film Festival Amsterdam (IDFA)
Saravá (2021) is a site-adaptive audiovisual composition about how empathic gestures can rise from cultural syncretism.
The composition has language as an object of artistic research and integrates sound and visual arts at its core. It is inspired by the transformation of language through migration and multiculturalism. At the same time, it explores the meaning of comprehension through psychoanalytic and linguistic theories.
The electroacoustic composition has the voice, spoken word, and field recordings as its main sound objects. Its correspondent visual music composition is created with algorithmic digital arts. The audiovisual piece is suited for FullDome and audiovisual installation environments.
https://vimeo.com/545394397
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About Pedro Rodoplho Ramos:
Pedro Rodolpho Ramos is a Brazilian media artist and composer whose work focuses on the intersection of music, immersive media, and technology. Based in Germany, his practice explores the relationship of expanded cinema and the human body and consciousness through audiovisual compositions, performances, and installations.