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*[[GMU:The Conceptual Sensor|The Conceptual Sensor]] *[[GMU:We Make Machines Not Art II|We Make Machines Not Art II]]

'''– Media Art & Design student, BFA'''<br><br> ...rk]], Wild Type[[http://www.uni-weimar.de/medien/wiki/GMU:Wild_Type]], The conceptual sensor[[http://www.uni-weimar.de/medien/wiki/GMU:The_Conceptual_Sensor]]

...before i came to Weimar last semester. Now im in the 2nd BA semester Media Art / Media Design. ...and sound/installations as i got interested in sound-vision-analogies and conceptual correlations. At the moment id mainly like to work on interactive audiovisu

...ts apply? What are the political and social reverberations of this kind of art?'' ...e not part of and that are not always ready for understanding or accepting art. The term ‘activist’ here means ‘before the political’ or pre-polit

=== ''We Make Machines Not Art I'' === '''We Make Machines Not Art I'''

...rinciples to help create beautiful and effective designs. This mixed media art series will make you more aware of those design principles. The project con [[/Conceptual drawings/]]

...uting an artwork, examining how all components come together to convey its conceptual core. This process will be supplemented by an intensive five-day workshop. During the workshop, we will test the technical and conceptual limits of installation by creating a series of temporary installations in s

::[[MODEN:USER MANUALS|USER MANUALS: Handlungsanweisungen zwischen Conceptual Art und IKEA]] – Werkmodul (BFA), Felix Sattler

David Hahlbrocks (*1980) conceptual works take place in diversive media spectrum ranging from video installatio *Bilderschlachten, European Media Art Festival, Osnabrück, 2009

David Hahlbrocks (*1980) conceptual works take place in diversive media spectrum ranging Bilderschlachten, European Media Art Festival, Osnabrück, 2009 #

David Hahlbrocks (*1980) conceptual works take place in diversive media spectrum ranging Bilderschlachten, European Media Art Festival, Osnabrück, 2009 #

access to knowledge, of a certain utopian vision for art that he shared. Castonguay's practice is based in digital and conceptual art, his works

...gress. But at the moment of the presentation you should have clarified all conceptual questions and know for sure what you want to do. Your project may be very o ...e that it you could as well easily explain to someone outside of the media art bubble (your grandma, random person in the tram, … )

Due to lack of time and conceptual meaning I decided to refuse the idea of using a few sensors and focus on on ...In that way just reacting on art piece you create an interaction with this art.

'''USER MANUALS: Handlungsanweisungen zwischen Conceptual Art und IKEA''' "USER MANUALS: Instructions between Conceptual Art and IKEA" deals with the instruction/user manual as the vantage point for b

==Art & Design== ...artmuseum.org/exhibits/2004/agnesdenes/gallery/index.html 4] US-american conceptual artist

Art as a medium requires material to be done. Being it physical or digital, bei ...ave to focus on the practical ecological part as much as we do it with the conceptual phase - understanding that it will always be a matter of choice and calculu

Candidates from Media Art and Design MFA Program, MediaArchitecture or other programs:<br />Prelimina ...candidates will be selected on the basis of their technical, aesthetic and conceptual aptitude.'''

'''Photogrammetry for Art and Digital Heritage''' ...allations, interactive artworks, animations, etc. accompanied by a written conceptual and technical documentation. Basic knowledge in digital photography as well

ALGORITHMS IN ART ...filling of museums for the sake of filling museums. Sol LeWitt wrote that art is not utilitarian - it’s written in the first manifesto in the compilati