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GMU:Re-enchanting the field/The geo-history of oil shale in Estonia (view source)
Revision as of 07:54, 16 April 2025
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* Larisa Crunțeanu/Sonja Hornung: “to slip, to slide, to glitch: Navigating Uneasy Landscapes.” In: INSERT. Artistic Practices as Cultural Inquiries, Issue 6, Troubled Matter—Thinking with Sedimented Histories, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/to-slip-to-slide-to-glitch/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030438</nowiki>. | * Larisa Crunțeanu/Sonja Hornung: “to slip, to slide, to glitch: Navigating Uneasy Landscapes.” In: INSERT. Artistic Practices as Cultural Inquiries, Issue 6, Troubled Matter—Thinking with Sedimented Histories, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/to-slip-to-slide-to-glitch/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030438</nowiki>. | ||
* Mareike Bernien/Alex Gerbaulet: „Sonne Unter Tage – Fragmente gesammelt auf den Halden unserer zusammengetragenen Geschichten“. In: INSERT. Artistic Practices as Cultural Inquiries, Ausgabe 6, Troubled Matter – Denken mit sedimentierten Geschichten, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/sonne-unter-tage/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030408</nowiki>. | * Mareike Bernien/Alex Gerbaulet: „Sonne Unter Tage – Fragmente gesammelt auf den Halden unserer zusammengetragenen Geschichten“. In: INSERT. Artistic Practices as Cultural Inquiries, Ausgabe 6, Troubled Matter – Denken mit sedimentierten Geschichten, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/sonne-unter-tage/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030408</nowiki>. | ||
''NOTE: This project is only interesting for the way they work with radiation as a photographic device, not for the concept note of the project. Using x-ray film for capturing the afterlife of uranium extraction is interesting. It allowed to visualize the recalibration of elemental flows in contaminated soils that would otherwise be imperceptible.'' | ''NOTE: This project is only interesting for the way they work with radiation as a photographic device, not for the concept note of the project. Using x-ray film for capturing the afterlife of uranium extraction is interesting. It allowed to visualize the recalibration of elemental flows in contaminated soils that would otherwise be imperceptible.'' | ||