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Also at the Pd-Convention: Workshop by João Pais [[PDCON:Convention/Workshops/Data Structures|Understanding and being creative with Pure Data’s data structures]] and paper presentation [[PDCON:Conference/Click_Tracker:_Performance/composition_tool_for_metrically_complex_scores|Click Tracker: Performance/composition tool for metrically complex scores]] | Also at the Pd-Convention: Workshop by João Pais [[PDCON:Convention/Workshops/Data Structures|Understanding and being creative with Pure Data’s data structures]] and paper presentation [[PDCON:Conference/Click_Tracker:_Performance/composition_tool_for_metrically_complex_scores|Click Tracker: Performance/composition tool for metrically complex scores]] | ||
===Endphase=== | ===Endphase=== | ||
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Enrique Tomás (Madrid, 1981) is a sound artist and researcher who dedicates his time to finding new ways of expression and play with technology. His work explores the intersection between computer music, locative media and human-machine interaction. He is a member of a number of collectives through which he develops various aspects of his work: the phenomena of listening and the value of sound heritage with <escoitar.org>, electroacoustic improvisation with Endphase and sound installation with FASE. As an individual artist, Tomas’ activity is centred around <ultranoise.es> and focuses on performances and installations with extreme and immersive sounds and environments. He has exhibited in spaces of Ars Electronica, Sonar, KUMU, SMAK, Medialab-Prado, Laboral, STEIM, Arteleku etc., and in galleries and institutions throughout Europe and in Mexico. Also an educator, he has led many workshops on the use of technologies for creative expression. Following his work as sonic researcher at Futurelab (Ars Electronica’s media art R&D lab), he is now the director of the Labor Für Elektroakustische Musik und Neue Medien in Linz, Austria. | Enrique Tomás (Madrid, 1981) is a sound artist and researcher who dedicates his time to finding new ways of expression and play with technology. His work explores the intersection between computer music, locative media and human-machine interaction. He is a member of a number of collectives through which he develops various aspects of his work: the phenomena of listening and the value of sound heritage with <escoitar.org>, electroacoustic improvisation with Endphase and sound installation with FASE. As an individual artist, Tomas’ activity is centred around <ultranoise.es> and focuses on performances and installations with extreme and immersive sounds and environments. He has exhibited in spaces of Ars Electronica, Sonar, KUMU, SMAK, Medialab-Prado, Laboral, STEIM, Arteleku etc., and in galleries and institutions throughout Europe and in Mexico. Also an educator, he has led many workshops on the use of technologies for creative expression. Following his work as sonic researcher at Futurelab (Ars Electronica’s media art R&D lab), he is now the director of the Labor Für Elektroakustische Musik und Neue Medien in Linz, Austria. | ||
Concert: <br> | |||
Monday 08. Aug 2011 <br> | |||
19.00 - 22.30<br> | |||
[[PDCON:Venues/Fürstensaal|Platz der Demokratie, Fürstenhaus Fürstensaal]] | |||
{{Template:PdCon11}} | {{Template:PdCon11}} |
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