GMU:Techniken des Virtuellen: Difference between revisions

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No previous programming experience required.
No previous programming experience required.


'''CRITERIA FOR PASSING'''
'''CRITERIA FOR PASSING'''<br>
In order to successfully participate you will have to develop and document your own project that can be in the form of a Performance, Videowork or Installation for example. Also, regularly attend to the sessions and participation is mandatory.   
In order to successfully participate you will have to develop and document your own project that can be in the form of a Performance, Videowork or Installation for example. Also, regularly attend to the sessions and participation is mandatory.   


'''ELIGIBLE PARTICIPANTS'''
'''ELIGIBLE PARTICIPANTS'''<br>
Undergraduates and graduates enrolled in the faculties of Media and Design.
Undergraduates and graduates enrolled in the faculties of Media and Design.


'''LANGUAGE'''
'''LANGUAGE'''<br>
The course will be in English, unless all participants are speaking German.
The course will be in English, unless all participants are speaking German.


'''APPLICATION'''
'''APPLICATION'''<br>
Please send a motivation letter before April 9th, 2017 to netartist@icloud.com
Please send a motivation letter before April 9th, 2017 to netartist@icloud.com


Line 43: Line 43:
'''ARTISTS'''
'''ARTISTS'''


Cécile B. Evans interview: The Virtual is Real
Cécile B. Evans interview: The Virtual is Real<br>
https://www.youtube.com/watch?v=nDe_W11KY4c
https://www.youtube.com/watch?v=nDe_W11KY4c


A Conversation with Jon Rafman
A Conversation with Jon Rafman<br>
https://vimeo.com/11685295
https://vimeo.com/11685295


Jeremy Bailey - The Future of Television (2012)
Jeremy Bailey - The Future of Television (2012)<br>
https://www.youtube.com/watch?v=pClOufl12r8
https://www.youtube.com/watch?v=pClOufl12r8


Aram Bartholl - Hurt me plenty (2014)
Aram Bartholl - Hurt me plenty (2014)<br>
http://www.aqnb.com/2014/09/25/aram-bartholl-hurt-me-plenty-2014-exhibition-photos/
http://www.aqnb.com/2014/09/25/aram-bartholl-hurt-me-plenty-2014-exhibition-photos/


Ed Atkins on his hyper-real and harrowing new films
Ed Atkins on his hyper-real and harrowing new films<br>
http://www.dazeddigital.com/artsandculture/article/34547/1/ed-atkins-hyper-real-harrowing-new-films-hisser-safe-conduct-corpsing
http://www.dazeddigital.com/artsandculture/article/34547/1/ed-atkins-hyper-real-harrowing-new-films-hisser-safe-conduct-corpsing


Constant Dullaart - 100,000 Followers for Everyone!
Constant Dullaart - 100,000 Followers for Everyone!<br>
http://dismagazine.com/dystopia/67039/constant-dullaart-100000-followers-for-everyone/
http://dismagazine.com/dystopia/67039/constant-dullaart-100000-followers-for-everyone/


Artificial Ecology: Ian Cheng on the Strange Art of Simulating Life, and the Conceptual Merits of Pokémon Go
Artificial Ecology: Ian Cheng on the Strange Art of Simulating Life, and the Conceptual Merits of Pokémon Go<br>
http://www.artspace.com/magazine/interviews_features/art-bytes/ian-cheng-interview-54128
http://www.artspace.com/magazine/interviews_features/art-bytes/ian-cheng-interview-54128


Petra Cortwright - ✝✝LA.christening vid.move,df ✝Movie on 2013-02-05 at 19.25.mov
Petra Cortwright - ✝✝LA.christening vid.move,df ✝Movie on 2013-02-05 at 19.25.mov<br>
https://www.youtube.com/watch?v=84h8pLW1xmE
https://www.youtube.com/watch?v=84h8pLW1xmE


Martin Kohout - Sjezd
Martin Kohout - Sjezd<br>
http://aqnb.com/uploads/sjezd.html
http://aqnb.com/uploads/sjezd.html


Die Künstlerin Morehshin Allahyari baut im 3D-Drucker zerstörte Kunst nach
Die Künstlerin Morehshin Allahyari baut im 3D-Drucker zerstörte Kunst nach<br>
http://sz-magazin.sueddeutsche.de/texte/anzeigen/44419/Wir-haben-die-Moeglichkeit-Dinge-auferstehen-zu-lassen
http://sz-magazin.sueddeutsche.de/texte/anzeigen/44419/Wir-haben-die-Moeglichkeit-Dinge-auferstehen-zu-lassen


Rosa Menkman - DCT:SYPHONING. The 1000000th interval (The 64th interval).
Rosa Menkman - DCT:SYPHONING. The 1000000th interval (The 64th interval).<br>
https://vimeo.com/176773197
https://vimeo.com/176773197


Cory Arcangel: Pro Tools: Various Self Playing Bowling Games, 2011
Cory Arcangel: Pro Tools: Various Self Playing Bowling Games, 2011<br>
https://www.youtube.com/watch?v=N5UGN7tq1lQ
https://www.youtube.com/watch?v=N5UGN7tq1lQ


Woody Vasulka & Brian O'Reilly - Scan Processor Studies
Woody Vasulka & Brian O'Reilly - Scan Processor Studies<br>
https://www.youtube.com/watch?v=De4DWMyQBfU
https://www.youtube.com/watch?v=De4DWMyQBfU


'''BOOKS'''
'''BOOKS'''


Domenico Quaranta - Beyond New Media Art
Domenico Quaranta - Beyond New Media Art<br>
http://www.linkartcenter.eu/public/editions/Domenico_Quaranta_Beyond_New_Media_Art_Link_Editions_ebook_2013.pdf
http://www.linkartcenter.eu/public/editions/Domenico_Quaranta_Beyond_New_Media_Art_Link_Editions_ebook_2013.pdf


Haunted Media: Electronic Presence from Telegraphy to Television
Haunted Media: Electronic Presence from Telegraphy to Television<br>
https://www.dukeupress.edu/haunted-media
https://www.dukeupress.edu/haunted-media


Grafton Tanner - Babbling Corpse - Vaporwave and the commodification of ghosts  
Grafton Tanner - Babbling Corpse - Vaporwave and the commodification of ghosts <br>
http://www.zero-books.net/books/babbling-corpse
http://www.zero-books.net/books/babbling-corpse


Art and the Internet
Art and the Internet<br>
http://netartnet.net/news/announcement/item/779-book-release-art-and-the-internet
http://netartnet.net/news/announcement/item/779-book-release-art-and-the-internet

Revision as of 09:08, 31 March 2017

Lecturer: Jörg Brinkmann
Credits: 6 ECTS, 4 SWS
Date: Thursdays 17:00-20:30
Venue: Performance Platform, Digital Bauhaus Lab (Room 001)
First meeting: Thursday, April 13th 2017, 17:00


Everyone talks about VR nowadays, but aren’t sites like Facebook or Instagram already a Virtual Reality that gets fed daily with cutouts of our lives? Do we have to worry that soon the real world will be at second place?

“In today’s society, where drones are used for warfare and romantic relationships begin online can we any longer distinguish between the so-called real and the virtual?” (Cécile B. Evans)

In this course we will get inspired and challenged by different artists and artworks that embrace “the virtual” as a concept, aesthetic or technique. We will start by using simple approaches to help amplify and channel our ideas and concepts through media and technology and further use Unity 3D to create our very own virtual worlds, objects or avatars which will include integrating Virtual Reality devices like the Oculus Rift. This course involves working with but is not bound to the use of the Performance Platform at the Digital Bauhaus Lab.


PREREQUISITES
No previous programming experience required.

CRITERIA FOR PASSING
In order to successfully participate you will have to develop and document your own project that can be in the form of a Performance, Videowork or Installation for example. Also, regularly attend to the sessions and participation is mandatory.

ELIGIBLE PARTICIPANTS
Undergraduates and graduates enrolled in the faculties of Media and Design.

LANGUAGE
The course will be in English, unless all participants are speaking German.

APPLICATION
Please send a motivation letter before April 9th, 2017 to netartist@icloud.com

To: netartist@icloud.com Subject: Techniken des Virtuellen Content:

  • Your motivation to join the course
  • Name, Surname
  • program and semester (Studienprogramm und Fachsemester)
  • matriculation number (Matrikelnummer)
  • Valid email address @uni-weimar.de


INSPIRATION

ARTISTS

Cécile B. Evans interview: The Virtual is Real
https://www.youtube.com/watch?v=nDe_W11KY4c

A Conversation with Jon Rafman
https://vimeo.com/11685295

Jeremy Bailey - The Future of Television (2012)
https://www.youtube.com/watch?v=pClOufl12r8

Aram Bartholl - Hurt me plenty (2014)
http://www.aqnb.com/2014/09/25/aram-bartholl-hurt-me-plenty-2014-exhibition-photos/

Ed Atkins on his hyper-real and harrowing new films
http://www.dazeddigital.com/artsandculture/article/34547/1/ed-atkins-hyper-real-harrowing-new-films-hisser-safe-conduct-corpsing

Constant Dullaart - 100,000 Followers for Everyone!
http://dismagazine.com/dystopia/67039/constant-dullaart-100000-followers-for-everyone/

Artificial Ecology: Ian Cheng on the Strange Art of Simulating Life, and the Conceptual Merits of Pokémon Go
http://www.artspace.com/magazine/interviews_features/art-bytes/ian-cheng-interview-54128

Petra Cortwright - ✝✝LA.christening vid.move,df ✝Movie on 2013-02-05 at 19.25.mov
https://www.youtube.com/watch?v=84h8pLW1xmE

Martin Kohout - Sjezd
http://aqnb.com/uploads/sjezd.html

Die Künstlerin Morehshin Allahyari baut im 3D-Drucker zerstörte Kunst nach
http://sz-magazin.sueddeutsche.de/texte/anzeigen/44419/Wir-haben-die-Moeglichkeit-Dinge-auferstehen-zu-lassen

Rosa Menkman - DCT:SYPHONING. The 1000000th interval (The 64th interval).
https://vimeo.com/176773197

Cory Arcangel: Pro Tools: Various Self Playing Bowling Games, 2011
https://www.youtube.com/watch?v=N5UGN7tq1lQ

Woody Vasulka & Brian O'Reilly - Scan Processor Studies
https://www.youtube.com/watch?v=De4DWMyQBfU

BOOKS

Domenico Quaranta - Beyond New Media Art
http://www.linkartcenter.eu/public/editions/Domenico_Quaranta_Beyond_New_Media_Art_Link_Editions_ebook_2013.pdf

Haunted Media: Electronic Presence from Telegraphy to Television
https://www.dukeupress.edu/haunted-media

Grafton Tanner - Babbling Corpse - Vaporwave and the commodification of ghosts
http://www.zero-books.net/books/babbling-corpse

Art and the Internet
http://netartnet.net/news/announcement/item/779-book-release-art-and-the-internet