GMU:Max and the World/Felix Geith/Final Project/The Normal Version

From Medien Wiki

Project Description

Full Artistic Statement in German as PDF download

Video Documentation (with screen recording)

Audio Samples

The complete Patch including download-, purchase- or information links to: - all externals used in the patch - all the hardware used in the patch and where to buy it (including audio output situation)

patch walkthrough and tutorial



all the things stated above will be added here as soon as the project is finished


Introduction

The goal of the semester project was to write a Max Patch for an interactive sound installation. The installation was about connecting the movement of an individual in a defined space or room to the acoustic environment in this certain area.

The main idea behind this action, was to give the person a certain amount of control over the parameters of sounds, that would be played and positioned in the room, without the person being aware of the interaction. This required an interface that wasn't visible or touchable from the beginning on, so the installation used video tracking, scanning the movement of the person in the room.

The data, that's gained from the video tracking is used to influence the parameters of the sound as well as the spatialisation of the sound, meaning its position in the room. This already offers quite a lot of potential to give the recipient a feeling of influence on his environment.



Artistic Statement

The whole process of planning, creating and building this installation happened during the Covid-19 Lockdown. So most of my life during this time was happening in my room. Working, spending free time, small projects, sleeping, feeling good and also feeling bad, all happened in the same small, and closed space.

Also, the project is happening inside of a closed environement, a defined room, nothing that's happening outside of this microcosmos matters for the installation, only what's inside of it. So when building and composing the installation, it seemed obvious to me, that the installation must happen in my home.

This means, I composed for my own, personal private space, connecting the sounds to the different space inside of this room and my feelings and situation in these places. The working area, my desk, my bed, my TV, my windows to the outside world. All these different places where given a meaning in the installation, with me, the recipient, as a moving, exploring and interacting person inside of this environment.

This makes the composition very personal and emotional, as it embraces my feelings and emotions during the Covid-19 lockdown.

The Setup

To be independent from the light condition in the room, an infrared camera was used. The most practical, and especially cheapest way to do this was using a Kinect 360 camera.

In order to position the sounds in the room and change these positions, it was necessary to have a setup of multiple speakers. In this case, a surround speaker setup of four speakers was used.

SetupCorrect.jpg


Video Documentation

Patch Walkthrough and Setup Tutorial

Resources

HARDWARE

Kinect 360 sensor https://www.amazon.de/Microsoft-LPF-00057-Xbox-Kinect-Sensor/dp/B009SJAIP6 (pretty expensive... but you can easily get used ones for less than 40€ on ebay-kleinanzeigen.de)

Kinect 360 Adapter https://www.amazon.de/gp/product/B008OAVS3Q/ref=ppx_yo_dt_b_asin_title_o04_s00?ie=UTF8&psc=1


SOFTWARE

ICST Ambisonics Plugins free download https://www.zhdk.ch/forschung/icst/icst-ambisonics-plugins-7870


TUTORIALS

Color Tracking in Max MSP https://www.youtube.com/watch?v=t0OncCG4hMw&list=PLG-tSxIO2Jkjj0BthZ_y0GRkWRjAvL1Uo&index=4&t=310s (Part 1 of 3)

Kinect Input and normalisation https://www.youtube.com/watch?v=ro3OwWnjfDk&list=PLG-tSxIO2Jkjj0BthZ_y0GRkWRjAvL1Uo&index=5