GMU:Human and Nonhuman Performances II SS16/Jixiang Jiang: Difference between revisions
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Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. | Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. | ||
He integrated music with architecture,designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. | He integrated music with architecture,designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. | ||
[[File:QQ截图20170202204251.jpg|400px]][[File:QQ截图20170202204320.jpg|400px]][[File:QQ截图20170202204355.jpg|400px]] | [[File:QQ截图20170202204251.jpg|400px]][[File:QQ截图20170202204320.jpg|400px]] | ||
[[File:QQ截图20170202204355.jpg|400px]] | |||
the space in bamboo forest | the space in bamboo forest | ||
[[File:QQ截图20170202210749.jpg|400px]][[File:QQ截图20170202210757.jpg|400px]][[File:QQ截图20170202210809.jpg|400px]][[File:QQ截图20170202210818.jpg|400px]][[File:QQ截图20170202210829.jpg|400px]][[File:QQ截图20170202210835.jpg|400px]] | |||
[[File:QQ截图20170202210749.jpg|400px]][[File:QQ截图20170202210757.jpg|400px]] | |||
[[File:QQ截图20170202210809.jpg|400px]][[File:QQ截图20170202210818.jpg|400px]] | |||
[[File:QQ截图20170202210829.jpg|400px]][[File:QQ截图20170202210835.jpg|400px]] | |||
Second inspiration(art intervening in virtual space ) | Second inspiration(art intervening in virtual space ) | ||
Gordon Matta-Clark's Conical Intersect (1975) was a torqued, spiraling "cut" into two derelict seventeenth-century Paris buildings adjacent to the construction site of the controversial Centre Pompidou. With this landmark work of "anarchtecture," Matta-Clark not only opened up these venerable residences to light and air, he also began a dialogue about the nature of urban development and the public role of art. Considered three and a half decades later, Conical Intersect reveals the multivalent nature of the artist's practice and his prescient focus on sustainability and creative reuse of the built environment. Conical Intersect and the two buildings were demolished as part of a large-scale urban renovation of the historic market district of Les Halles; today we can know the work only from drawings, photographs, and a short Super 8 film. In this illustrated study, Bruce Jenkins examines Matta-Clark's "non-u-ment," looking closely at the artist's proposals, working process, various forms of documentation, and the dialogue begun by Matta-Clark's decision to transform two abandoned buildings "into an act of communication." | Gordon Matta-Clark's Conical Intersect (1975) was a torqued, spiraling "cut" into two derelict seventeenth-century Paris buildings adjacent to the construction site of the controversial Centre Pompidou. With this landmark work of "anarchtecture," Matta-Clark not only opened up these venerable residences to light and air, he also began a dialogue about the nature of urban development and the public role of art. Considered three and a half decades later, Conical Intersect reveals the multivalent nature of the artist's practice and his prescient focus on sustainability and creative reuse of the built environment. Conical Intersect and the two buildings were demolished as part of a large-scale urban renovation of the historic market district of Les Halles; today we can know the work only from drawings, photographs, and a short Super 8 film. In this illustrated study, Bruce Jenkins examines Matta-Clark's "non-u-ment," looking closely at the artist's proposals, working process, various forms of documentation, and the dialogue begun by Matta-Clark's decision to transform two abandoned buildings "into an act of communication." | ||
Result | |||