GMU:Principia Textilica/Felicitas Höbelt: Difference between revisions

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</gallery>

There are four templates for the finished pieces, including the default setting, the privateRadius = 50 setting, the interpolationSpeed = 350 setting and the timetoSpawn = 3000 setting.~~<\br>~~

There are four templates for the finished pieces, including the default setting, the privateRadius = 50 setting, the interpolationSpeed = 350 setting and the timetoSpawn = 3000 setting.

I am satisfied with the result, as it fulfills the goals I set before. There are definitely alternatives for the fixation method, but at this point the glue dots, which are quite visible despite being transparent, act as subtle placeholder for the fish bodies. Additionally, while working with the threads, some aspects emerged that I did not actively take into account in the planning phase. The first is the overlapping of the threads, naturally falling into place if the correct order of the fish births and deaths is maintained. The second is the color imperfection as a result of the (amateur) hand-dying. The dye did not touch any fibers below the surface of the initially whole thread, as a consequence the feazed threads partly stayed white. Both aspects fit beautifully into the whole concept, the latter one especially adds another element to the destructive dimension.

@@ Line 343: / Line 343: @@
 </gallery>
-There are four templates for the finished pieces, including the default setting, the privateRadius = 50 setting, the interpolationSpeed = 350 setting and the timetoSpawn = 3000 setting.<\br>
+There are four templates for the finished pieces, including the default setting, the privateRadius = 50 setting, the interpolationSpeed = 350 setting and the timetoSpawn = 3000 setting.
 I am satisfied with the result, as it fulfills the goals I set before. There are definitely alternatives for the fixation method, but at this point the glue dots, which are quite visible despite being transparent, act as subtle placeholder for the fish bodies. Additionally, while working with the threads, some aspects emerged that I did not actively take into account in the planning phase. The first is the overlapping of the threads, naturally falling into place if the correct order of the fish births and deaths is maintained. The second is the color imperfection as a result of the (amateur) hand-dying. The dye did not touch any fibers below the surface of the initially whole thread, as a consequence the feazed threads partly stayed white. Both aspects fit beautifully into the whole concept, the latter one especially adds another element to the destructive dimension.