GMU:Dataflow I WS12/Jeremy: Difference between revisions

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-[[File:13951013 37c5cfc7b8.jpg]]
+[[File:440px-Hugo Ball Cabaret Voltaire.jpg]]
-=="Just when I thought I was out, they pull me back in"!==
-I took this course because I liked the name of it. The idea of Data flowing, unobstructed, to my own designs, was a nice idea for me.
+Hugo Ball at the Cabaret Voltaire, Zurich, 1916
-Immediately after learning the basics of how PD works I was slightly worried because it seemed that the things which I was interested in, were not the things that PD was typically used for. I shared these thoughts with someone, saying: "I just don't think I'm using PD in the right way," to which they said: "There is no right way to use PD ... PD doesn't even care what it's being used for ... it can be used for anything." This was reassuring for me.
+photographer unknown
-==My Project==
+==Moses==
-===background===
+My patch is called Moses, it composes haiku poetry, or rather, recomposes the lines of poetry that are available to it in response to an image.
-From the very beginning I wanted to use PD to perform some kind of human function, to reveal some form of judgement or thought process which would speak about its own inability to do so. And so I wanted to create some kind of patch that would interest itself in the nature of computer programming, while also displaying some level of critical self awareness.
+The images used are all sourced from the internet and have no known photographer. In selecting these images I am interested in the idea of a deficient human element. Found images can sometimes feel personal to us and the narrative elements reveal themselves quickly. At the same time, an everyday or observed feeling reminds us that we can detach ourselves from them and their subjects quite readily.
-===the image===
+The text being used is sourced from Japanese haiku poetry, translated into English. The poets include Buson (1715-1783), Basho (1644-1694), and Buson (1715-1783) and other major poets to make use of the Haiku.
-I decided to pursue the idea of a dadaist art review. I was thinking about the ways in which the Dadaists used the idea of automatic and chance-based occurances in order to remove or at least diffuse their own artistic control and intention over an artwork.
+Traditionally, the Haiku presents a contrast or a 'cutting' aspect, including the juxtaposiition of text and image.
-This led me to the idea that images could be an interesting starting point, and that I could use PD to perform some kind of human (albeit dadaist) function and that this 'performance' would vary in accordance with the image used.
+[[File:Moses.pd]]
+[[File:Haiku.SacredTexts.1.txt]]
+== documentation ==
+[[File:1407 girl024 med.jpg]]
+Comical Dutch script
+Flip-flapping across the sky
+In this windy nest
+_______________________________
+[[File:Student woodworking class.jpg]]
+On the death of his child
+And dry my dreaming but still ...
+Insatiable fleas
+_______________________________
+[[File:Woman.jpg]]
+Women planting rice
+Drawn up from my frozen well ...
+Weird hollow echo
+_______________________________
+[[File:Unknown diver.jpg]]
+Issa stepchild bird
+Dew evaporates and all our world is dew ...
+Black cloudbank broken
+_______________________________
+[[File:Maori.jpg]]
+But their ancient song
+Flip-flapping across the sky
+Wild geese write a line
+_______________________________
+[[File:Portraitofachild.jpg]]
+The songs of froglings
+Our old scarecrow topples down
+In silent midnight
+_______________________________
+[[File:Girl 1943.jpg]]
+White they meet
+Scatters in the night ... now see
+Black cloudbank broken