emailconfirmed
293
edits
| mNo edit summary | mNo edit summary | ||
| Line 1: | Line 1: | ||
| '''ARCHEOLOGY, EXCAVATION, AND WHAT REMAINS''' | '''ARCHEOLOGY, EXCAVATION, AND WHAT REMAINS''' | ||
| <br> | <br>Brian Bixby | ||
| In his installation ''Archeology, Excavation, And What Remains'' (2012), Bixby uses tilted perspective, angular lines, and clutter to accentuate the organized chaos of a scene. A woman sits in the corner of a room, leaning forward with her feet hanging above a glowing red rectangular hole in the floor and a bloodied knife in her right hand.  A large, black, room-dividing mirror acts as a foreground for the scene. A man’s jacket and hat on the floor next to the woman indicate the recent disrobing of the victim.    | In his installation ''Archeology, Excavation, And What Remains'' (2012), Bixby uses tilted perspective, angular lines, and clutter to accentuate the organized chaos of a scene. A woman sits in the corner of a room, leaning forward with her feet hanging above a glowing red rectangular hole in the floor and a bloodied knife in her right hand.  A large, black, room-dividing mirror acts as a foreground for the scene. A man’s jacket and hat on the floor next to the woman indicate the recent disrobing of the victim.    | ||