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ARCHEOLOGY, EXCAVATION, AND WHAT REMAINS | '''ARCHEOLOGY, EXCAVATION, AND WHAT REMAINS''' | ||
<br> an installation by Brian Bixby<br> | |||
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In his installation ''Archeology, Excavation, And What Remains'' (2012), Bixby uses tilted perspective, angular lines, and clutter to accentuate the organized chaos of a scene. A woman sits in the corner of a room, leaning forward with her feet hanging above a glowing red rectangular hole in the floor and a bloodied knife in her right hand. A large, black, room-dividing mirror acts as a foreground for the scene. A man’s jacket and hat on the floor next to the woman indicate the recent disrobing of the victim. | In his installation ''Archeology, Excavation, And What Remains'' (2012), Bixby uses tilted perspective, angular lines, and clutter to accentuate the organized chaos of a scene. A woman sits in the corner of a room, leaning forward with her feet hanging above a glowing red rectangular hole in the floor and a bloodied knife in her right hand. A large, black, room-dividing mirror acts as a foreground for the scene. A man’s jacket and hat on the floor next to the woman indicate the recent disrobing of the victim. | ||
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PDF Text Document: | PDF Text Document: | ||
[[ | [[Media:Bixby_AEAWR.pdf]] | ||
High Res Photo for print / 300 dpi TIFF: | High Res Photo for print / 300 dpi TIFF: | ||
[[File:AEAWR_Panorama.tiff.zip]] | [[File:AEAWR_Panorama.tiff.zip]] | ||
JPEG Preview Image: | JPEG Preview Image / looking through the peep hole: | ||
[[File:AEAWR_Panorama.jpg|649px]] | [[File:AEAWR_Panorama.jpg|649px]] | ||