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| The room will be closed off to the public and only viewable thru a broken window in the doorway. Inside is a 3D scene which is obviously aestheticized but also referencing several aspects from my research and mashing them into each other - pieces of George Grosz studio are mixing into my own Lustmord "painting" which I am bringing to life in the form of a still life. Furthermore I am adding elements of light and electricity referencing futurism and science fiction as predicted in films such as Metropolis. | The room will be closed off to the public and only viewable thru a broken window in the doorway. Inside is a 3D scene which is obviously aestheticized but also referencing several aspects from my research and mashing them into each other - pieces of George Grosz studio are mixing into my own Lustmord "painting" which I am bringing to life in the form of a still life. Furthermore I am adding elements of light and electricity referencing futurism and science fiction as predicted in films such as Metropolis. | ||
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| {|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;" | |||
| |width="300px"|[[File:IMG_9990.jpg|300px]] | |||
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| |width="300px"|[[File:IMG_0022.jpg|300px]] | |||
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| |Brian Bixby, ''Archeology, Excavation, and What Remains'', installation in-progress at Marianstraße 2, 2012. | |||
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| |Brian Bixby, ''Archeology, Excavation, and What Remains'', installation in-progress at Marianstraße 2, 2012. | |||
| |} | |||
| == Concept Development / Project Space at Marianstraße 2 | 12 - 17.12.2012 == | == Concept Development / Project Space at Marianstraße 2 | 12 - 17.12.2012 == | ||