GMU:Re-enchanting the field/Nina Bendix Igleses: Difference between revisions

At the Summary 2025 exhibition at Bauhaus University (July 10–13), the work took a different form. In a clean glass room overlooking the city, the projection played on a white screen. A long scroll of paper, again handwritten, unrolled across the table and floor, next to oil-shale stones and glass worn smooth by the sea. Visitors could listen through headphones, hearing the overlapping voices of the poem alongside ocean sound. The view outside invited a new kind of contemplation, distance, change of view and perspective.

In both versions, the work asked if we see the "MOSS", the small, persistent life, as important, challenging our definitions of value and purpose. The MUSHroom, like the poem itself, becomes an unlikely witness: a quiet, persistent thing, recreating itself from ruin, refusing to be erased.