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GMU:Re-enchanting the field/The geo-history of oil shale in Estonia (view source)
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==Examples Fieldprojects== | ==Examples Fieldprojects== | ||
===Larisa Crunțeanu/Sonja Hornung=== | |||
“to slip, to slide, to glitch: Navigating Uneasy Landscapes.” In: INSERT. Artistic Practices as Cultural Inquiries, Issue 6, Troubled Matter—Thinking with Sedimented Histories, 2024 | |||
* URL: https://insert.art/ausgaben/troubled-matter/to-slip-to-slide-to-glitch/ | |||
* DOI: https://doi.org/10.5281/zenodo.14030438</nowiki>. | |||
===Mareike Bernien/Alex Gerbaulet=== | |||
„Sonne Unter Tage – Fragmente gesammelt auf den Halden unserer zusammengetragenen Geschichten“. In: INSERT. Artistic Practices as Cultural Inquiries, Ausgabe 6, Troubled Matter – Denken mit sedimentierten Geschichten, 2024 | |||
* URL: <nowiki>https://insert.art/ausgaben/troubled-matter/sonne-unter-tage/ | |||
* DOI: https://doi.org/10.5281/zenodo.14030408</nowiki>. | |||
''NOTE: This project is only interesting for the way they work with radiation as a photographic device, not for the concept note of the project. Using x-ray film for capturing the afterlife of uranium extraction is interesting. It allowed to visualize the recalibration of elemental flows in contaminated soils that would otherwise be imperceptible.'' | ''NOTE: This project is only interesting for the way they work with radiation as a photographic device, not for the concept note of the project. Using x-ray film for capturing the afterlife of uranium extraction is interesting. It allowed to visualize the recalibration of elemental flows in contaminated soils that would otherwise be imperceptible.'' | ||