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questions of this work are: soundarchitecture, soundfusion, eternity of sound. | questions of this work are: soundarchitecture, soundfusion, eternity of sound. | ||
<videoflash type="vimeo">10206901|420|315 left</videoflash> | |||
<videoflash type="vimeo">10207137|420|315 right</videoflash> | |||
===structure=== | ===structure=== | ||
[[Image:search.jpg]] | [[Image:search.jpg]] | ||
=== | ===sound material=== | ||
every single piece takes about 90 seconds. It is more like a character or texture of sound, not a composition with a start and an end. | |||
it includes natural and synthetic sound material. | |||
all together there is about 12 minutes of soundmaterial and a lot of possibilities to arrange it. | |||
[[Image:tonband 1.jpg]] | [[Image:tonband 1.jpg]] | ||
Revision as of 15:31, 16 March 2010
Stefan Klemm
s e a r c h
is a 4 channel sound installation. the listener is the director of the sound. with an interface based in the middle of the room you can choose between 8 sound textures/pieces and arrange them. in case nobody is composing - playing - searching the computer will change from user play mode into random play mode. questions of this work are: soundarchitecture, soundfusion, eternity of sound.
<videoflash type="vimeo">10206901|420|315 left</videoflash>
<videoflash type="vimeo">10207137|420|315 right</videoflash>
structure
sound material
every single piece takes about 90 seconds. It is more like a character or texture of sound, not a composition with a start and an end. it includes natural and synthetic sound material. all together there is about 12 minutes of soundmaterial and a lot of possibilities to arrange it.
Ort
Ein geeigneter Ort im Museum wäre ein halb überdachter Innenhof. Ebenso könnte man das ganze aber auch in einem der Innenräume aufstellen.
Fragen
Länge des Tonband? Womit kann man das Band verstärken, damit es seltener reißt? Wie laut soll es sein, wo steht das alles? Wo kann man gute Tonaufnahmen von Grillen/Zikaden machen (Zoo)?