GMU:Urban Development Kit/Kinoki-Pi-Project: Difference between revisions

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[[file:NeunSiebenOSMAP.png|200px]] [[file:NeunSieben01.png|212px]]
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==artworks, articles and literature==
==links==


'''artworks'''
''artworks''


* [http://www.koener.de/suburbsofthevoid.htm | suburbs of the void] by Thomas Köner
* [http://www.koener.de/suburbsofthevoid.htm suburbs of the void] by Thomas Köner
* [http://www.bcchang.com/art/insecuritycamera/index.php (In)Security Camera]by Ben Chang, Silvia Ruzanka, Dmitry Strakovsky
* [http://www.bcchang.com/art/insecuritycamera/index.php (In)Security Camera]by Ben Chang, Silvia Ruzanka, Dmitry Strakovsky
* [http://www.simonmenner.com/pages/Stasi-Index.htm Images from the Secret Stasi Archives] by Simon Menner
* [http://www.simonmenner.com/pages/Stasi-Index.htm Images from the Secret Stasi Archives] by Simon Menner
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'''articles'''
''articles''
 
* [http://www.arte.tv/de/videokontrolle-in-der-medienkunst/765396,CmC=796112.html Arte - Videokontrolle in der Medienkunst]
* [http://www.arte.tv/de/videokontrolle-in-der-medienkunst/765396,CmC=796112.html Arte - Videokontrolle in der Medienkunst]
* [http://ctrlspace.zkm.de/d/ Rhetorik der Überwachung - von Bentham bis Big Brother]: An Exhibition (2000) on Surveillance in the zkm
* [http://ctrlspace.zkm.de/d/ Rhetorik der Überwachung - von Bentham bis Big Brother]: An Exhibition (2000) on Surveillance in the zkm

Revision as of 20:57, 4 November 2013

kinoki-pi-project

“I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. […] Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world.”

The Kinoki-Pi-Project is seeking for a medial interface between esthetic meditation and systematic surveillance of society. Therefore we will create and use different artifacts to deal with the meaning of visual observation in urban spaces and landscapes.

concept

The concept of this project is based so far on two terms. On the one hand the term Kinoglaz as it is described by Dziga Vertov in the quotation at the beginning of this page. For the russian avantgardist the mechanical eye of the camera allows us an objective view on our environment that is detached from our own bodily limitation and capacity as humans. And on the other hand the metaphor of the panopticon as the perfect apparatus of social surveillance Michel Foucault describes in „Discipline and Punish: The Birth of the Prison”

You can read and download our concept here. At the moment it is only available in German.

prototyp

For our surveillance devices we used a raspberry pi microcomputer combined with a camera module. This is how the first prototype looked like:

Prototyp01.jpg Prototyp02.jpg

You want to build your own surveillance device with a raspberry pi + a camera module? Take a look at our „DIY Manual”!

start recording

After we finished to program the Pi and got used to the Command-Line-Feeling we started to record looking for aesthetic structures in the garden.

Action01.jpg Action02.jpg Action03.jpg RaspiStill01.png RaspiStill02.png

Next Step: „NeunSieben”

„NeunSieben” is the idea to create a surveillance situation in public space. Therefore we chose the the Marienstraße, where our workspace is located. A fixed installed KinokiBot monitors the street down to the M5, where the GMU rooms are located. We will use a window in the ground floor of the M7 to present the monitoring of the surveillance camera to the public. An arrow on the sideway helps to draw attention to the monitor behind the window.

NeunSiebenOSMAP.png NeunSieben01.png

links

artworks


articles

literature

  • Bauman, Zygmunt (2003): Flüchtige Moderne. Frankfurt am Main: Suhrkamp.
  • Debord, Guy (1978): Gesellschaft des Spektakels. Hamburg: Nautilus.
  • Foucaul, Michel (2010): Überwachen und Strafen. Die Geburt des Gefängnisses. Frankfurt am Main: Suhrkamp.
  • Vertov, Dziga (1973): Schriften zum Film. München: Hanser.