GMU:Provokative Architektur/Jeremy Booth: Difference between revisions

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==Jeremy Booth | workbook | Provocative Architecture==
===Jeremy Booth | workbook | Provocative Architecture===


===statement 23.10.12===


I would like to look at how ideas of tangible and intangible histories and cultural 'matierals' can be considered, interrogated, and reimagined, through strategies other than typical museum and/or collection-related, authorative positions. I'm particularly interested in ideas of interactivity and mobility.
        * [[/workings part 1/]] initial workings and development


===... elaboration as keyword/terms===
        * [[/workings part 2/]] initial mask-making and tests
* intangible / tangible
* material / immaterial
* public space
* 'domains'
* culture / history / heritage


As a starting point I've done some pencil drawings. They are based on Walking Tours of German cities, from the Lonely Planet guide book series. Below are Weimar, Erfurt and Dresden. The line follows the route of the Walking Tour, all other details are absent. I'm interested in the idea of directing, and being directed through space.
        * [[/workings part 3/]] project development


[[File:WeimarScansmall.jpg]]
        * [[/workings part 4/]] development of plaster works


walking tour, Weimar
        * [http://www.uni-weimar.de/medien/wiki/GMU:Provokative_Architektur/Jeremy project synopsis]
 
[[File:ErfurtScansmall.jpg]]
 
walking tour, Erfurt
 
[[File:DresdenScansmall.jpg]]
 
walking tour, Dresden
 
===Revised statement 1===
 
In some ways, '''architecture can be as much a barrier to culture and heritage as a supporting mechanism for it'''. It can restrict access to tangible objects while creating an unnecessary container for intangible ones. This is particularly the case when we need to pay entry to museums and art galleries, when their opening hours are restrictive, when they are crowded or unappealing, when they do not meet the needs of certain groups, and when collection items are not available for public viewing. As well, the need to 'build something' is sometimes not possible on sites of intrinsic cultural and historical value.
 
During the next weeks I will undertake a number of loose experiments around the idea of ''' 'barrier free' culture and heritage''' sites and initiatives.

Latest revision as of 10:32, 22 February 2013

Jeremy Booth | workbook | Provocative Architecture

        * workings part 1 initial workings and development
        * workings part 2 initial mask-making and tests
        * workings part 3 project development
        * workings part 4 development of plaster works
        * project synopsis