GMU:My Computer, Max, and I/Carlos Garcia Fernandez: Difference between revisions

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For the MAX patch, a few tutorials about sound manipulation are followed, ir order to distort a given audio track according to the use of the glove. For this time, a sound piece from "Das Triadische Ballet" from Oskar Schlemmer is used. The idea is to create a new and different piece by applying sound filters, distortions and echo effects. Two of the effects are controlled from the glove, while two others need to be controlled from the MAX patch itself -in the future would be ideal to have more "control rings" on the glove, that would allow complete control over all the filters-.<br>
For the MAX patch, a few tutorials about sound manipulation are followed, ir order to distort a given audio track according to the use of the glove. For this time, a sound piece from "Das Triadische Ballet" from Oskar Schlemmer is used. The idea is to create a new and different piece by applying sound filters, distortions and echo effects. Two of the effects are controlled from the glove, while two others need to be controlled from the MAX patch itself -in the future would be ideal to have more "control rings" on the glove, that would allow complete control over all the filters-.<br>
[[File:DJglove_carlos garcia fernandez_1.png|610px]]<br>
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The patch is then splitted into three main groups; the first one loads the audio track form the PC storage, opens and plays it using the ''sfplay~'' object, among with some other sub-objects that allow loop, pause, resume, visualize the audio signal and control the volume of it. <br>
The patch is then splitted into three main groups; the first one loads the audio track form the PC storage, opens and plays it using the ''sfplay~'' object, among with some other sub-objects that allow loop, pause, resume, visualize the audio signal and control the volume of it. <br>
[[File:DJglove_carlos garcia fernandez_2_audio.png|300px]]<br>
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The second group would be the one used to create the sound effects, by extracting a number from the sound track and applying waveforms with different cycles that will produce different sound accordingly. These sound effects must be controlled from the MAX patch, lowering and rising the signal/volume.<br>
The second group would be the one used to create the sound effects, by extracting a number from the sound track and applying waveforms with different cycles that will produce different sound accordingly. These sound effects must be controlled from the MAX patch, lowering and rising the signal/volume.<br>
The third group creates echo effects over the main audio track, using two ''delay'' objects, each one triggered by one of the "control rings" on the glove.
[[File:DJglove_carlos garcia fernandez_3_sounds.png|300px]]<br>
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[[File:DJglove_carlos garcia fernandez_1.png|610px]]<br>
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The third group creates echo effects over the main audio track, using two ''delay'' objects, each one triggered by one of the "control rings" on the glove. In one of the echo effects, a ramp and ''line'' object are used, to modify the echo effect over the time (a loop of 13 seconds). The gain/volume of each echo effect can be controlled manually from the MAX patch.<br>
[[File:DJglove_carlos garcia fernandez_4_echo.png|300px]]<br>
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[[File:DJglove_carlos garcia fernandez_2_audio.png|148px]]
[[File:DJglove_carlos garcia fernandez_3_sounds.png|148px]]
[[File:DJglove_carlos garcia fernandez_4_echo.png|148px]]
[[File:DJglove_carlos garcia fernandez_5_arduino con.png|148px]] <br>
[[File:DJglove_carlos garcia fernandez_5_arduino con.png|148px]] <br>
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