GMU:Max and I, Max and Me/Fionn McErlean/Research: Difference between revisions

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* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations  co-existence  [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]
* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations  co-existence  [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]


Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s]  [https://www.youtube.com/watch?v=34NNTgvUE7c]  [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]
Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s]  [https://www.youtube.com/watch?v=34NNTgvUE7c]  [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]

Revision as of 20:38, 16 June 2021

Work i'm exploring:

Artists using MaxMSP

  • Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.
  • Zeynep Ayguler 'eye tracker' piece [1]
  • Another interesting piece using MaxMSP to play the paino [2]
  • 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [3]
  • Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [4]


Personal + Related to my Practice

  • Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [5]


Multiple versions of Quad [6] [7] [8]