GMU:Autonomous-Collaborative/Thomas: Difference between revisions

Line 9:

The randomness in the patch is produced by a network of spigots set to an adc~ to toggle between several automated faders. These faders are attached to the different musical elements and effects throughout the patch.

This works through a threshold between the microphone input and the ~~Spigots~~, resulting in the microphone input controlling the automated faders. Though the patch worked fine with the contact mic, I settled for the threshold control only and chose to avoid frequency ~~Dependency~~ for the ~~Controls~~, as i found it impossible to set overall general values for different natural environments to control this patch.

This works through a threshold between the microphone input and the spigots, resulting in the microphone input controlling the automated faders. Though the patch worked fine with the contact mic, I settled for the threshold control only and chose to avoid frequency dependency for the controls, as i found it impossible to set overall general values for different natural environments to control this patch.

[[File:Screenshot 2019-09-30 at 19.10.58.png|400px]]

Also, there’s a Markov Chain like random ~~Section~~, which randomises the behaviour of Hi Hat, Kick Drum and alters one frequency of the MIC + ~~OSC~~ section

Also, there’s a Markov Chain like random section, which randomises the behaviour of Hi Hat, Kick Drum and alters one frequency of the MIC + Oscillator section

[[File:markov.gif|400px]]

@@ Line 9: / Line 9: @@
 The randomness in the patch is produced by a network of spigots set to an adc~ to toggle between several automated faders. These faders are attached to the different musical elements and effects throughout the patch.
-This works through a threshold between the microphone input and the Spigots, resulting in the microphone input controlling the automated faders. Though the patch worked fine with the contact mic, I settled for the threshold control only and chose to avoid frequency Dependency for the Controls, as i found it impossible to set overall general values for different natural environments to control this patch.
+This works through a threshold between the microphone input and the spigots, resulting in the microphone input controlling the automated faders. Though the patch worked fine with the contact mic, I settled for the threshold control only and chose to avoid frequency dependency for the controls, as i found it impossible to set overall general values for different natural environments to control this patch.
 [[File:Screenshot 2019-09-30 at 19.10.58.png|400px]]
-Also, there’s a Markov Chain like random Section, which randomises the behaviour of Hi Hat, Kick Drum and alters one frequency of the MIC + OSC section
+Also, there’s a Markov Chain like random section, which randomises the behaviour of Hi Hat, Kick Drum and alters one frequency of the MIC + Oscillator section
 [[File:markov.gif|400px]]