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'''Act 2: Provider''' | '''Act 2: Provider''' | ||
On most of the modern western societies, the man had also always performed the role of the provider of the family. The one that provides material comfort, security and stability to the women and the children, the one who brings the food home, while the women performs the caretaker of the temple of the home - a temple where the children can feel protected and learn the dynamics of the gender order performance, in order to be able to perform them with their own families in the future. The perpetuation of such cycle is supposedly of great importance for the protection of the human race itself, and all the set of held-dearly traditions of the heteronormative family order. Despite advances on the feminism and a slight reconfiguration on the performance of such expectations on gender performance in the private space, such settings are still reproduced in a wide array of medias and elements in popular culture, such as films and toys. | On most of the modern western societies, the man had also always performed the role of the provider of the family and its community. The one that provides material comfort, security and stability to the women and the children, the one who brings the food home, while the women performs the caretaker of the temple of the home - a temple where the children can feel protected and learn the dynamics of the gender order performance, in order to be able to perform them with their own families in the future. The perpetuation of such cycle is supposedly of great importance for the protection of the human race itself, and all the set of held-dearly traditions of the heteronormative family order. Despite advances on the feminism and a slight reconfiguration on the performance of such expectations on gender performance in the private space, such settings are still reproduced in a wide array of medias and elements in popular culture, such as films and toys. | ||
'''Act 3: Procreator''' | '''Act 3: Procreator''' |
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