GMU:Re-enchanting the field/Marie Buschmann

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Marie Buschmann

from docx import Document

Load the existing document to append new proposals

doc = Document("/mnt/data/Idea_Paper_Proposals_Fixed_Format.docx")

BIP 2

doc.add_page_break() doc.add_heading("BIP 2: Landscape, Memory, and Postcards from Other Places", level=2) doc.add_heading("Background", level=3) doc.add_paragraph(

   "Estonia’s oil shale zone is a landscape cut through by centuries of imperialism, extractivism, and displacement. "
   "From the Russian Empire to the Soviet Union, northeastern Estonia (Ida-Virumaa) became a monofunctional industrial region. "
   "Towns were built around mines, populated by imported labor, and stripped of ecological and cultural continuity. Today, "
   "semi-coke hills, smoking spoil tips, and chemically altered wetlands are markers of slow violence. These are not empty ruins; "
   "they are active archives where environmental damage and historical amnesia collide. Concepts like Shifting Baseline Syndrome (SBS) "
   "reveal how generations forget previous ecological states, accepting degradation as normal. Memory fades, but the landscape still remembers."

) doc.add_heading("Focus, Question, Anticipated Outcomes", level=3) doc.add_paragraph(

   "This project focuses on ecological and cultural scars left by oil shale extraction. Rather than conduct interviews (which may be impractical), "
   "we propose to observe and translate these wounds into a visual language. Our main question is: How do landscapes remember what we forget? "
   "And how can these memories be interpreted without anthropocentric assumptions? Each “scar”—whether a dried-out swamp, a collapsed shaft, "
   "or a rebranded hill—will be treated as a trace of violence, but also of persistence. The outcome will be a set of speculative “postcards” or "
   "souvenirs that visualize these traces: frottages from scarred surfaces, photographs of damaged landforms, embedded barcodes that play "
   "soundscapes or fragments of poetic text. By materializing these memories as mementos, we hope to challenge the transformation of trauma into "
   "tourist attraction, and explore how we might engage with landscapes as wounded subjects."

) doc.add_heading("Technical Description (Methods & Tools)", level=3) doc.add_paragraph(

   "We will use frottage (rubbing), drawing, and photography to capture textures and traces from specific damaged sites. "
   "Sound recordings will complement these, creating immersive “memory soundscapes.” We will embed QR codes on the postcards. "
   "Poems or short texts, generated from field impressions may also be an option. We will also use archival and speculative writing to connect "
   "specific sites to past cultural and ecological contexts. Each item will function as a poetic translation of a site’s scarred memory."

) doc.add_heading("References", level=3) for ref in [

   "Kaljundi & Sooväli-Sepping, eds. Maastik ja mälu [Landscape and Memory]",
   "Printsmann, Anneli. “The Land of Oil Shale.” (2012)",
   "Mildeberg, Saara. “A Post-Industrial Adventure Land?” (2024)",
   "Sooväli-Sepping & Palang. “Imaginary Landscapes” (2005)",
   "https://www.reachtheworld.org/annas-journey-estonia/world-connections/bogs-and-mires-estonia?page=2"

]:

   doc.add_paragraph(ref, style='List Bullet')
BIP 3

doc.add_page_break() doc.add_heading("BIP 3: Let the Swamp Speak: Memory, Death, and Carbon in the Hollow Earth", level=2) doc.add_heading("Background", level=3) doc.add_paragraph(

   "Swamps are more than wet wastelands. They are ecological time machines—dense with memory, carbon, and myth. "
   "Estonia’s northeastern oil shale region has radically altered its swamp systems: dewatering operations during underground "
   "mining near Narva and Kohtla-Järve drained wetlands, permanently lowering groundwater levels and leaving some swamp beds "
   "unstable or hollow. These altered swamps no longer store carbon—they release it. Yet even in their damaged state, they preserve "
   "the memory of past bodies, myths, and thresholds between life and decay. Folklore figures like Eksitaja, the misleader of bogs, "
   "linger in local imagination, reanimating the terrain as dangerous, sacred, or enchanted. From the perspective of environmental "
   "humanities, these post-extraction wetlands are more than ecosystems—they are sites of layered cultural and ecological significance."

) doc.add_heading("Focus, Question, Anticipated Outcomes", level=3) doc.add_paragraph(

   "This proposal focuses on degraded and altered swamps in Ida-Virumaa as living archives of the oil shale era. We ask: "
   "How do drained or damaged bogs remember histories of extraction, and how can we access or translate that memory? These swamp "
   "systems—disrupted by underground voids, piping, ash run-off, and drainage infrastructure—have become feral landscapes of contaminated "
   "diversity. They host strange symbioses of industrial ruin, residual toxicity, and new biological colonizers. We want to document the "
   "tension between decomposition and resilience in these sites, tracing what persists, what returns, and what mutates. We also want to "
   "reinterpret the cultural perception of swamps—from threatening wasteland to sacred, mnemonic terrain. Our anticipated outcome is an "
   "audiovisual “listening practice” that attends to the swamp not only as an ecological threshold but as a storyteller. Through speculative "
   "design and environmental sensing, we hope to reveal swamps as more-than-human agents in a post-natural world, where nature, industry, and memory converge."

) doc.add_heading("Technical Description (Methods & Tools)", level=3) doc.add_paragraph(

   "Methods: Field photography and sketching to document swamp boundaries, collapsed zones, and residues of mining infrastructure. "
   "Observing signs of industrial sedimentation and biological succession—pipes overtaken by moss, ash hills seeping into wetlands, or "
   "invasive reeds overtaking native flora. Sampling water, soil, and plants for basic visual/textural analysis (using color, pH strips, "
   "layering jars). Recording ambient sounds—bubbling, insects, wind through reeds—as speculative swamp soundscapes. Mapping “zones of memory” "
   "where stories, material residues, and changing ecologies intersect. Collecting or reimagining local folklore through drawing, micro-poetry, or storytelling."

) doc.add_heading("References", level=3) for ref in [

   "Anna Tsing et al., “Contaminated Diversity” and Feral Atlas (2020)",
   "Linda Kaljundi & Helen Sooväli-Sepping, eds., Maastik ja mälu [Landscape and Memory] (2014)",
   "Saara Mildeberg, \"A Post-Industrial Adventure Land?\" (2024)",
   "Anneli Printsmann, \"The Land of Oil Shale\" (2012)",
   "Estonian folklore archives (Eksitaja and swamp-based pseudomyths)"

]:

   doc.add_paragraph(ref, style='List Bullet')
Save updated document

final_doc_all_path = "/mnt/data/Idea_Paper_Proposals_Complete_All_BIPs.docx" doc.save(final_doc_all_path)

final_doc_all_path