105
edits
No edit summary |
mNo edit summary |
||
Line 14: | Line 14: | ||
I’m interested in the Ash Hills ‘the moving mountains’ and how they reshaped geography, altered and still altering the significance of the land. Mountains are typically seen as symbols of permanence: solid, unmoving, and enduring unless acted upon. Yet here, they present a paradox. These hills and mountains are not static; they are active agents of change, embodying the forces of the Anthropocene and dramatically altering the landscape’s appearance over time. I would like to explore the contrast/opposites between what lies above ground ‘artificial mountains’ and what remains hidden below ‘mines’, highlighting the differences between the visible and the invisible, the mountain and the emptiness below. | I’m interested in the Ash Hills ‘the moving mountains’ and how they reshaped geography, altered and still altering the significance of the land. Mountains are typically seen as symbols of permanence: solid, unmoving, and enduring unless acted upon. Yet here, they present a paradox. These hills and mountains are not static; they are active agents of change, embodying the forces of the Anthropocene and dramatically altering the landscape’s appearance over time. I would like to explore the contrast/opposites between what lies above ground ‘artificial mountains’ and what remains hidden below ‘mines’, highlighting the differences between the visible and the invisible, the mountain and the emptiness below. | ||
---- | ---- | ||
=== '''Concept | === '''Concept 1:''' === | ||
'''Solid Ghosts: Valuing the Remains''' | '''Solid Ghosts: Valuing the Remains''' | ||
Line 66: | Line 64: | ||
- | - | ||
=== '''Concept | === '''Concept 2:''' === | ||
Visual to Sound / The melody of the seen. (Punch Notation) | Visual to Sound / The melody of the seen. (Punch Notation) | ||
edits