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Filling and emptying becomes a way to sense the border — a place once full of work and noise, now quieter and marked by what remains. This work doesn’t try to explain, but to stay close to the textures and contrasts of a landscape shaped by both presence and loss. | Filling and emptying becomes a way to sense the border — a place once full of work and noise, now quieter and marked by what remains. This work doesn’t try to explain, but to stay close to the textures and contrasts of a landscape shaped by both presence and loss. | ||
'''References''' | |||
Francis Alys - The Green Line | |||
Klaus Rinke - Waterworks Series | |||