Martin Müller: Difference between revisions

Revision as of 12:44, 26 April 2022

Under the Title #OMGuSoMasc I started an artistic research about concepts of masculinity and aesthetic modes of representation that are tethered with them. The research seeks a critical deconstruction of those aesthetics, beginning at the origin of western male body representation with ancient Greek sculptures and building a bridge towards today‘s instagram feeds. Out the frame of #OMGuSoMasc several photo and video works and a performance emerged.

With static photographic collages I began to fragment body parts and overlay them towards infinity. Now I am looking for ways to translate those modes of fragmentation and superposition into something more haptic, materialized, and lively.

https://www.instagram.com/kalos_kagathos/

The goal is to retranslate those virtual translations into something coporeal...

Sketch:

https://vimeo.com/672691192

Influences:

KOMBUCHA LEATHER

https://www.behance.net/gallery/82760205/Kombucha-leather

YING GAO

https://vimeo.com/yinggao/flowingwater

http://yinggao.ca/interactifs/flowing-water-standing-time/

DOREEN GARNER

https://www.artforum.com/print/reviews/201802/doreen-garner-and-kenya-robinson-73687

https://halle-fuer-kunst.at/ausstellungen/doreen-garner-steal-kill-and-destroy-a-thief-who-intended-them-maximum-harm/

GORY ORGY INC.

https://twitter.com/GoryOrgy_/status/1488445303393222656

https://www.instagram.com/goryorgyincorporated/

@@ Line 1: / Line 1: @@
+Under the Title #OMGuSoMasc I started an artistic research about concepts of masculinity and aesthetic modes of representation that are tethered with them. The research seeks a critical deconstruction of those aesthetics, beginning at the origin of western male body representation with ancient Greek sculptures and building a bridge towards today‘s instagram feeds.
+Out the frame of #OMGuSoMasc several photo and video works and a performance emerged.
+With static photographic collages I began to fragment body parts and overlay them towards infinity. Now I am looking for ways to translate those modes of fragmentation and superposition into something more haptic, materialized, and lively.
+[[File:mueller_06.JPG|200px]][[File:mueller_08.JPG|200px]][[File:mueller_10.JPG|200px]]
+[[File:20200410_124443_950.jpg|300px]][[File:20200325_220939_249.jpg|300px]]
+[[File:20200329_000241_577.jpg|300px]][[File:20200401_120727_569.jpg|300px]]
+https://www.instagram.com/kalos_kagathos/
+The goal is to retranslate those virtual translations into something coporeal...
+{{#ev:vimeo|694613174}}
 ''Sketch:''
@@ Line 8: / Line 24: @@
-''My Collages:''
-[[File:mueller_06.JPG|200px]][[File:mueller_08.JPG|200px]][[File:mueller_10.JPG|200px]]
-[[File:20200410_124443_950.jpg|300px]][[File:20200325_220939_249.jpg|300px]]
-[[File:20200329_000241_577.jpg|300px]][[File:20200401_120727_569.jpg|300px]]
-https://www.instagram.com/kalos_kagathos/