GMU:Introduction: Performance Platform/Lefteris Krysalis: Difference between revisions
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Last summer it was a really warm summer and I spent while I was working a lot of hours with my fan, so I decided to make the fan the main object of my project | Last summer it was a really warm summer and I spent while I was working a lot of hours with my fan, so I decided to make the fan the main object of my project | ||
The idea of this project is really | The idea of this project is really simple and more an excuse to work with leap motion, max msp and OpenFrameworks together using DBL and specifically the screens and the surround system. | ||
I recorded with a zoom the fan from 4 different angles and I created a 3D object of it. Subsequently, in Ableton Ι edited a little bit the recordings and I created 10 different tracks; 8 with different eq filters and bpm plus 2 tracks only for reverb and delay. | I recorded with a zoom the fan from 4 different angles and I created a 3D object of it. Subsequently, in Ableton Ι edited a little bit the recordings and I created 10 different tracks; 8 with different eq filters and bpm plus 2 tracks only for reverb and delay. | ||
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When I finished with the main patch and the main code, I tried to connect and control everything with my leap motion controller using OSC data. I made a sub-patch in Max/Msp that I called distribution. In this patch I received first all the data from the leap motion, I scaled them and afterward I send them via different internal ports to the main max/msp patch and the openFrameworks code. | When I finished with the main patch and the main code, I tried to connect and control everything with my leap motion controller using OSC data. I made a sub-patch in Max/Msp that I called distribution. In this patch I received first all the data from the leap motion, I scaled them and afterward I send them via different internal ports to the main max/msp patch and the openFrameworks code. | ||
In max/msp with the leap motion according to the move of my hand at | In max/msp with the leap motion according to the move of my hand at X axis I was manipulating the frequencies of the sounds and at the Z axis the gain, so I could have sonically the same illusion of perspective and space that I had visually | ||
In OpenFrameworks the OSC data that I was receiving from the leap motion I was controlling the virtual camera in order to have a visual correspondence to the changes of the sound. | In OpenFrameworks the OSC data that I was receiving from the leap motion I was controlling the virtual camera in order to have a visual correspondence to the changes of the sound. | ||