GMU:Diagrams: Difference between revisions

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==Description==
==Description==
Diagrams (as well as lists, tables and individual modes of mapping) are tools that can serve the development of a project while supporting different processes. Through their use psychological terms can represent or convey dance techniques, such as the exchange step in foxtrot. They take into account and depict related aspects, different speeds of historical processes, circular movements, repetitions, and hidden relationships. The use of diagrams, maps and curves can provide not only existing conditions, but also scrutinize and identify their own limitations. On concrete and pragmatic ways, they enable a wealth of situations in order to play and promote unexpected ways of thinking and presenting. Seen as an instrument to reduce complex issues, they can help to depict a variety of what-ifs. On the one hand diagrams can be helpful on the way to a work, on the other hand, they can also form the work itself. The aesthetic potential of diagrams is hidden not only in their sensual and abstract construction, but also in the materiality and physical presence of the diagrammatic.
Diagrams (as well as lists, tables and individual modes of mapping) are tools that can serve the development of a project while supporting different processes. Through their use psychological terms can represent or convey dance techniques, such as the exchange step in foxtrot. They take into account and depict related aspects, different speeds of historical processes, circular movements, repetitions, and hidden relationships. The use of diagrams, maps and curves can provide not only existing conditions, but also scrutinize and identify their own limitations. On concrete and pragmatic ways, they enable a wealth of situations in order to play and promote unexpected ways of thinking and presenting. Seen as an instrument to reduce complex issues, they can help to depict a variety of what-ifs. On the one hand diagrams can be helpful on the way to a work, on the other hand, they can also form the work itself. The aesthetic potential of diagrams is hidden not only in their sensual and abstract construction, but also in the materiality and physical presence of the diagrammatic.
[[Category:WS13]]