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''' | '''About the project'''<br> | ||
Examining female bodies and social relations through a participatory performance “The Brainless Dancer”. Passion Asasu invites the audience to participate in and influence the performance by using the artist's body as material and protagonist. When a woman's appearance not only embodies the uniqueness of an individual but also represents the cultural hierarchy of patriarchal systems that carelessly turns a female body into a product and equates her worth with her appearance and sexual functions. Through the performance, the audience is given the opportunity to observe and interact by activating substantial body parts of the artist's body. The fluidity of her body parts dancing randomly and brainlessly aims to play with the audience’s perception of a body image by emphasizing the uncertainty of our bodies that can change with age, nutrition, physical activity, hormonal status, and more. She hopes to create a space of critical engagement where visitors can see the violence, representation, struggle, and survival of a female body. The performance simply poses a question of when and how we can put an end to this broken construction and unauthorize the body as a place of oppression. | Examining female bodies and social relations through a participatory performance “The Brainless Dancer”. Passion Asasu invites the audience to participate in and influence the performance by using the artist's body as material and protagonist. When a woman's appearance not only embodies the uniqueness of an individual but also represents the cultural hierarchy of patriarchal systems that carelessly turns a female body into a product and equates her worth with her appearance and sexual functions. Through the performance, the audience is given the opportunity to observe and interact by activating substantial body parts of the artist's body. The fluidity of her body parts dancing randomly and brainlessly aims to play with the audience’s perception of a body image by emphasizing the uncertainty of our bodies that can change with age, nutrition, physical activity, hormonal status, and more. She hopes to create a space of critical engagement where visitors can see the violence, representation, struggle, and survival of a female body. The performance simply poses a question of when and how we can put an end to this broken construction and unauthorize the body as a place of oppression. | ||
'''Technique'''<br> | |||
The technology used in the performance is a DIY inflatable with electric pumps and distance sensors. When an audience member approaches a sensor, it sends a signal to an Arduino microcontroller to run a code that activates the electronic pump, which inflates small balloons on the artist's body through an air tube. Once the value of the code reaches the maximum limit of 255, the air is automatically released through another tube into an exit motor. This process is repeated as audience members approach and move away from the sensors. Overall, the technology incorporated into the performance allows for interactive inflation and deflation of small balloons on the artist's body in response to the audience's proximity to the sensors. | |||
''The first prototype without the sensor'' | |||
{{#ev:youtube|LkMoZLL8AKY}} | |||
''I extend my gratitude to Christian Doeller, who contributed to the development of the electronic device and programming of the Arduino.'' | |||