GMU:Construction - Destruction/Martin Müller: Difference between revisions

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= '''I WILL MAKE EIGHT HOURS OF MY PAST UNDONE.''' =
= '''I WILL MAKE EIGHT HOURS OF MY PAST UNDONE.''' =
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'''The aim of this project is to create a performance that will last for eight hours – the normalized span of a working day (at least in Western-European conceptions of employment).
''The aim of this project is to create a performance that will last for eight hours – the normalized span of a working day (at least in Western-European conceptions of employment).
The performance refers to my personal past, working as a tailor for several studios and workshops.'''
The performance refers to my personal past, working as a tailor for several studios and workshops.''
 
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''I will invest eight hours of labor in undoing my own work by taking apart a jacket that I have made myself (within more than 60 hours of handcrafting).''
== I will invest eight hours of labor in undoing my own work by taking apart a jacket that I have made myself (within more than 60 hours of handcrafting). ==
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''The performance should take place in a shop window.''
== The performance should take place in a shop window. ==
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The project poses questions of what it takes to undo or erase – what can possibly be undone through the process of taking apart and what new things, objects, ideas, feelings, memories, and values emerge from it?
The project poses questions of what it takes to undo or erase – what can possibly be undone through the process of taking apart and what new things, objects, ideas, feelings, memories, and values emerge from it?


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And after the work is (un)done, we can think of the pricing.
And after the work is (un)done, we can think of the pricing.


 
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= '''Performance Score''' =  
= '''Performance Score''' =  
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[[File:sketch-performance-score.jpg|1200px]]
[[File:sketch-performance-score.jpg|1200px]]
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== '''The Place:''' ==
<gallery>
File:csm_ca20130704b003_9fe474a20e-1855787217.jpg
File:kiosk_sophienstiftplatz.jpg
File:Betriebsausflug01-1024x683-565998086.jpg
</gallery>




== '''Why Tears?''' ==
In tailoring, like in many artisan traditions, there are a lot of superstitions intertwined with the craft. They mostly connect with abjects of the body of the artisan, produced while working on a piece. For example: In Germany, when making a wedding dress, a drop of blood should be placed somewhere at the inlay - which is supposed to bring good luck and help for a happy marriage (it also used to symbolize bloodline and a mother's grieve, as the mother of a bride was supposed to sew her wedding dress). In France, unmarried embroiderers would sew in one of their own hair into a wedding dress, in order to be the next one to marry.


I decided to create a new superstitious tradition, making use of my tears. By crying while opening the seams of my jacket, I can make the past undone.


At the same time, the meanings of the tears - like those of the drop of blood - are manifold. They symbolize superstition, but the could also flow because of grieve, trauma, fear, melancholy, or relieve. They catalyze negative emotions and wash them out.


== Documentation of a first tryout ==
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= Documentation of a first tryout =
   
   
(taking apart a jacket that somebody else has made)
== (taking apart a jacket that somebody else has made) ==
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<gallery>
<gallery>
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File:Insta_Story7.jpg
File:Insta_Story7.jpg
</gallery>
</gallery>
excerpts from instagram stories
 
== excerpts from instagram stories ==


(for the first tryout I took apart a handcrafted jacket that somebody else has made (probably in a theatre/opera workshop) within 8 hours and documented the progress every hour with an instagram story)
(for the first tryout I took apart a handcrafted jacket that somebody else has made (probably in a theatre/opera workshop) within 8 hours and documented the progress every hour with an instagram story)
 
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== References ==
= References =
Tehching Hsieh
Tehching Hsieh
https://www.tehchinghsieh.net/
https://www.tehchinghsieh.net/