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| [[File:10e-300_03.png|link=https://www.youtube.com/watch?v=gIvfwD4Jnv4|frameless|775px]] | [[File:10e-300_03.png|link=https://www.youtube.com/watch?v=gIvfwD4Jnv4|frameless|775px]] | ||
| »10–300« was created as an accompanying computer simulation, | |||
| for the show »20.000!« at ACC-Gallery Weimar, a collaborative | |||
| exhibition organized by artist Lodewjik Heylen, research | |||
| associate Martin Schneider and students of Bauhaus-University. | |||
| The gallery flor was filed with 20.000 ball pit balls, ordered by | |||
| color before the opening and subsequently brought into chaos by | |||
| entering visitors. The balls mix slowly, create patterns, formations | |||
| and sequences. The original structure falls apart into visual | |||
| chaos, resulting in a flid stream of color. | |||
| »10–300« establishes a theoretical parallel to the tangible | |||
| installation and demonstrates both correlations and absurdities | |||
| in the gap between the virtual and the analog. Dropping 20.000 | |||
| balls onto a digital plane, one by one, in exactly the same position, | |||
| will result in a perfectly balanced stack. However, the smallest | |||
| perturbation — an offset of an enormously tiny magnitude | |||
| (10–300) — eventually has considerable impact and results | |||
| in the collapse of the stack. | |||
| Click here to watch the video loop (07:21min) | |||
| <gallery mode="nolines"> | <gallery mode="nolines"> | ||
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