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SESSION:01 :: 21.04.2026 (BACKGROUND : PAST WORKS : INITIAL IDEAS) | SESSION:01 :: 21.04.2026 (BACKGROUND : PAST WORKS : INITIAL IDEAS) | ||
[[File:DTAD save-it-for-later render-out.png|thumb|[[File:DTAD save-it-for-later project-documentation.pdf|thumb|This project was created during WiSe25 in collaboration with fellow classmates Berkin Yesil and Serap Kacmaz.]]|340x340px]]SAVE IT FOR LATER | [[File:DTAD save-it-for-later render-out.png|thumb|[[File:DTAD save-it-for-later project-documentation.pdf|thumb|This project was created during WiSe25 in collaboration with fellow classmates Berkin Yesil and Serap Kacmaz.]]|340x340px]]SAVE IT FOR LATER (''This project was created during WiSe25 in collaboration with fellow classmates Berkin Yesil and Serap Kacmaz.)'' | ||
This project explores how archiving changes when the object of archaeology is no longer purely physical but also digital. | |||
While traditional archaeology works through a linear timeline, relying on material persistence that allows interpretation even centuries later, media art does not offer this stability. As technology, context, and exhibition conditions disappear, the possibility of retrospective archiving collapses. | While traditional archaeology works through a linear timeline, relying on material persistence that allows interpretation even centuries later, media art does not offer this stability. As technology, context, and exhibition conditions disappear, the possibility of retrospective archiving collapses. | ||
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What remains after the exhibition is not the work itself, but a fragmented, insufficient archive composed of chosen moments. The project does not attempt to solve the problem of preserving media art. Instead, it makes the impossibility of preservation visible. | What remains after the exhibition is not the work itself, but a fragmented, insufficient archive composed of chosen moments. The project does not attempt to solve the problem of preserving media art. Instead, it makes the impossibility of preservation visible. | ||