GMU:Art and Biomedia: Difference between revisions

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Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung


<h2> Art and Biomedia: agencies of being(s)</h2>
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.