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Evident influences to my practice are experimental filmmaker Stan Brakhage and manifesto-based moving picture makers, like the DOGMA group. Taking advantage of the flexible pace of time in this region, I'm changing the speed and motion of my vision, using camera tools and looking for what I could see and capture. My goal is to allow for poetic ways of looking and then assembling the images. | Evident influences to my practice are experimental filmmaker Stan Brakhage and manifesto-based moving picture makers, like the DOGMA group. Taking advantage of the flexible pace of time in this region, I'm changing the speed and motion of my vision, using camera tools and looking for what I could see and capture. My goal is to allow for poetic ways of looking and then assembling the images. | ||
''TIME WAS BY FAR THE MOST ARTIFICIAL OF ALL OUR INVENTIONS, AND IN BEING BOUND TO THE PLANET TURNING ON ITS OWN AXIS WAS NO LESS ARBITRARY THAN WOULD BE, SAY, A CALCULATION BASED ON THE GROWTH OF TREES OR THE DURATION REQUIRED FOR A PIECE OF LIMESTONE TO DISINTEGRATE... | |||
IN ORDER TO RECKON TIME WE HAVE TO DEVISE AN IMAGINARY, AVERAGE SUN...'' | |||
-austerlitz | |||
I believe this quote brings up the notion of looking beyond our usual contructs, even towards the essentials of 'time' and 'space'. | |||
==[[Fan Yu]]: Reisen duch Zeit und Raum== | ==[[Fan Yu]]: Reisen duch Zeit und Raum== | ||