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•Virtual presence, physical exchange, and telematic transcendence of the audience members | •Virtual presence, physical exchange, and telematic transcendence of the audience members | ||
2.Technical aspects: | 2.Technical aspects: | ||
It is aimed to be composed idiomatically for telematic space, use it as a meaningful (inevitable) musical medium. | It is aimed to be composed idiomatically for telematic space, use it as a meaningful (inevitable) musical medium. | ||
•sonic spatiality | •sonic spatiality | ||
•multi-dimensional/ immersive experience (performers' mind and sonic perceives) | •multi-dimensional/ immersive experience (performers' mind and sonic perceives) | ||
•latency in telematic signal transfer (sonic/ visual) | •latency in telematic signal transfer (sonic/ visual) | ||
==Musical idea and different version== | ==Musical idea and different version== | ||