GMU:Observe - Experiment - Connect: Difference between revisions

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"observe - experment - connect" are the strategies employed to set aesthetic artifacts and artistic measures on the way.

"'''observe - experment - connect'''" are the strategies employed to set aesthetic artifacts and artistic measures on the way.

Observation precedes every creative practice; it can still happen with one's own senses, but also with sensors or prepared data collections. Experience marks the second stage, in which a processing of these collected impressions takes place. This stage, in which experimentation plays an essential role, is followed by a ~~contact scenario~~ with an environment.

'''Observation''' precedes every creative practice; it can still happen with one's own senses, but also with sensors or prepared data collections. '''Experience''' marks the second stage, in which a processing of these collected impressions takes place. This stage, in which experimentation plays an essential role, is followed by a '''Contact Scenario''' with an environment.

In the project we center artistic-creative activity around forms of an expanded ecology: the ecology of the natural environment, the ecology of the subject, and the ecology of the social. In observing, experimenting and situational, medial connecting we will try out and evaluate creative ways of acting in a shared habitat (the theme of previous semester projects).

In the module we want to produce construction kits, sample catalogs, installations, manuals, recipes, actions, apparatuses, game plans or other forms of proposals that help to make our civilization ecological, open and connectable.

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-"observe - experment - connect" are the strategies employed to set aesthetic artifacts and artistic measures on the way.
+"'''observe - experment - connect'''" are the strategies employed to set aesthetic artifacts and artistic measures on the way.
-Observation precedes every creative practice; it can still happen with one's own senses, but also with sensors or prepared data collections. Experience marks the second stage, in which a processing of these collected impressions takes place. This stage, in which experimentation plays an essential role, is followed by a contact scenario with an environment.
+'''Observation''' precedes every creative practice; it can still happen with one's own senses, but also with sensors or prepared data collections. '''Experience''' marks the second stage, in which a processing of these collected impressions takes place. This stage, in which experimentation plays an essential role, is followed by a '''Contact Scenario''' with an environment.
 In the project we center artistic-creative activity around forms of an expanded ecology: the ecology of the natural environment, the ecology of the subject, and the ecology of the social. In observing, experimenting and situational, medial connecting we will try out and evaluate creative ways of acting in a shared habitat (the theme of previous semester projects).
 In the module we want to produce construction kits, sample catalogs, installations, manuals, recipes, actions, apparatuses, game plans or other forms of proposals that help to make our civilization ecological, open and connectable.