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| ARCHEOLOGY, EXCAVATION, AND WHAT REMAINS | '''ARCHEOLOGY, EXCAVATION, AND WHAT REMAINS''' | ||
| <br> an installation by Brian Bixby<br> | |||
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| In his installation ''Archeology, Excavation, And What Remains'' (2012), Bixby uses tilted perspective, angular lines, and clutter to accentuate the organized chaos of a scene. A woman sits in the corner of a room, leaning forward with her feet hanging above a glowing red rectangular hole in the floor and a bloodied knife in her right hand.  A large, black, room-dividing mirror acts as a foreground for the scene. A man’s jacket and hat on the floor next to the woman indicate the recent disrobing of the victim.    | In his installation ''Archeology, Excavation, And What Remains'' (2012), Bixby uses tilted perspective, angular lines, and clutter to accentuate the organized chaos of a scene. A woman sits in the corner of a room, leaning forward with her feet hanging above a glowing red rectangular hole in the floor and a bloodied knife in her right hand.  A large, black, room-dividing mirror acts as a foreground for the scene. A man’s jacket and hat on the floor next to the woman indicate the recent disrobing of the victim.    | ||
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| [[File:AEAWR_Panorama.tiff.zip]] | [[File:AEAWR_Panorama.tiff.zip]] | ||
| JPEG Preview Image /  | JPEG Preview Image / looking through the peep hole: | ||
| [[File:AEAWR_Panorama.jpg|649px]] | [[File:AEAWR_Panorama.jpg|649px]] | ||