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MODEN:Start/EXHIBITIONS/domestikation (view source)
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[[File:Felixsattler domestikation medals detail.jpg|thumb|right|250px|Elisabeth Kaufmann & Felix Sattler: Kalkül und Leidenschaft II: Spiel und Wettkampf (''Wall of Fame'')]] | [[File:Felixsattler domestikation medals detail.jpg|thumb|right|250px|Elisabeth Kaufmann & Felix Sattler: Kalkül und Leidenschaft II: Spiel und Wettkampf (''Wall of Fame'')]] | ||
Animal races, fights and shows have a long-standing history in many cultures. Some are even constitutive for a people's social fabric. One of the most notable investigations has been Clifford Geertz ethnographic work on the cock fights in the Balinese society. His findings have been important for developing general theories of play such as of Roger Caillois and others. The "Reason and Emotion" series is far from being an adaption of Caillois’ four categories of play for the theory and practice of animal domestication. However we were somewhat inspired by his approach, which especially shows in our "agon" installation (= competition, Caillois used Greek names to label his categories).<br> | Animal races, fights and shows have a long-standing history in many cultures. Some are even constitutive for a people's social fabric. One of the most notable investigations has been Clifford Geertz ethnographic work on the cock fights in the Balinese society. His findings have been important for developing general theories of play such as of Roger Caillois and others. The "Reason and Emotion" series is far from being an adaption of Caillois’ four categories of play for the theory and practice of animal domestication. However we were somewhat inspired by his approach, which especially shows in our "agon" installation (= competition, Caillois used Greek names to label his categories).<br> | ||
For us it was important that animal competitions had an ambivalent concept about them that appears sometimes "technical", i.e. it is argued necessary for breeding and pedigree assessment, while at the same time being very colourful and highly ritualized events. For example, the often exciting betting that powers (not only) German horse-racing, is deregulated by the government because it is not regarded as | For us it was important that animal competitions had an ambivalent concept about them that appears sometimes "technical", i.e. it is argued necessary for breeding and pedigree assessment, while at the same time being very colourful and highly ritualized events. For example, the often exciting betting that powers (not only) German horse-racing, is deregulated by the government because it is not regarded as gambling but as a necessary process in breeding assessment.<br> | ||
It felt amusing that animals were decorated with pretty much the same-looking types of awards that are also granted to human competitors. We believe that especially some of the medals ("Schweinemedaillon" / "Medaillon of Pork") appear actually quite grotesque with their laurel wreaths and national colours. We hope that these might explain more about our relation with domestic animals and their almost seamless inclusion into our meritocracies. | It felt amusing that animals were decorated with pretty much the same-looking types of awards that are also granted to human competitors. We believe that especially some of the medals ("Schweinemedaillon" / "Medaillon of Pork") appear actually quite grotesque with their laurel wreaths and national colours. We hope that these might explain more about our relation with domestic animals and their almost seamless inclusion into our meritocracies. | ||
===Status symbols==== | ====Status symbols==== | ||
Many domestic species embellish the coats of arms of nations, regions, cities and dynasties. | Many domestic species embellish the coats of arms of nations, regions, cities and dynasties. | ||
More recently, these animals and plants appeared on the logos of well-known commercial brands as well as sports clubs and other institutions. They have become important for the communication of corporate identities. The goal is to symbolically transfer the animals’ or plants’ actual or imaginary properties to athletes or consumer goods such as sports cars and energy drinks. | More recently, these animals and plants appeared on the logos of well-known commercial brands as well as sports clubs and other institutions. They have become important for the communication of corporate identities. The goal is to symbolically transfer the animals’ or plants’ actual or imaginary properties to athletes or consumer goods such as sports cars and energy drinks. | ||
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[[File:felixsattler_domestikation_01.jpg|800px|The Phyletisches Museum's "Medusensaal" special exhibition area showing the Domestikation exhibition. The exhibition logo and the bench around the central column were designed by Elisabeth Kaufmann & Felix Sattler and Konrad Angermüller (graphic design). Foto: Felix Sattler]] | [[File:felixsattler_domestikation_01.jpg|800px|The Phyletisches Museum's "Medusensaal" special exhibition area showing the Domestikation exhibition. The exhibition logo and the bench around the central column were designed by Elisabeth Kaufmann & Felix Sattler and Konrad Angermüller (graphic design). Foto: Felix Sattler]] | ||
The Phyletisches Museum's "Medusensaal" special exhibition area showing the Domestikation exhibition. The exhibition logo and the bench around the central column were designed by Elisabeth Kaufmann & Felix Sattler and Konrad Angermüller (graphic design). Foto: Felix Sattler | |||