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GMU:Re-enchanting the field/Rieke Hettinger (view source)
Revision as of 17:18, 12 September 2025
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= <nowiki>______________________________________________}} from stone to stone {{ </nowiki>= | |||
<pre> | |||
Am 07.07.2025 um 14:51 schrieb Karlotta Sperling <karlotta.sperling@uni-weimar.de>: | Am 07.07.2025 um 14:51 schrieb Karlotta Sperling <karlotta.sperling@uni-weimar.de>: | ||
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Just like in the ancient myth and today in industry. I liked the pragmatic freedom we took. | Just like in the ancient myth and today in industry. I liked the pragmatic freedom we took. | ||
I must admit that, since you explained your thoughts, I've never been able to quote you exactly | I must admit that, since you explained your thoughts, | ||
I've never been able to quote you exactly. | |||
I shared the perception of the playground regarding the mountain of oil-shell residue. | I shared the perception of the playground regarding the mountain of oil-shell residue. | ||
I could see the potential of having a mountain in an area without mountains. For example, the view. | I could see the potential of having a mountain in an area without mountains. For example, the view. | ||
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but there are stones that are millions of years old.' | but there are stones that are millions of years old.' | ||
We go on hiking trips in so-called nature, and fail to recognize, | We go on hiking trips in so-called nature, and fail to recognize, | ||
that the environment has been shaped by humans.' My usage of the term 'nature' in both German and English does not include our relationship with it. When we are in the oil shell landscape, terms emerge to describe our connection with it. | that the environment has been shaped by humans.' | ||
My usage of the term 'nature' in both German and English does not include our relationship with it. | |||
When we are in the oil shell landscape, terms emerge to describe our connection with it. | |||
These terms may be 'pure', 'wounded', 'fake', 'disturbed', and so on. | These terms may be 'pure', 'wounded', 'fake', 'disturbed', and so on. | ||
The way in which these terms are used do not provide a comprehensive description of our relationship with nature. | The way in which these terms are used do not provide a comprehensive description | ||
of our relationship with nature. | |||
The lack of connotation shows me how underdeveloped our relationship with nature is. | The lack of connotation shows me how underdeveloped our relationship with nature is. | ||
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rieke | rieke | ||
</pre> | |||
</ | ________________________________________________________________________________________________________[[Media:Re Estland Text.rtf|download the email conversation]] | ||
'''_________________________________________________________________<sup>email conversation a</sup><sup>bout the concept of construction and deconstruction in ''from stone to stone''</sup>''' | |||
[[File:Film Januskop+Musik00088560.mov|left|450px|frameless|<sup>©Rieke&Karlotta</sup>]] | |||
[[File:Film Januskop+Musik00091441.mov|left|450px|frameless|<sup>©Rieke&Karlotta</sup>]] | |||
[[File:Film Januskop+Musik00086400.mov|left|450px|frameless|<sup>©Rieke&Karlotta</sup>]] | |||
[[File:Film_Januskop+Musik00092160.mov|center|450px|frameless|©Rieke&Karlotta]] | |||
[[File:Film Januskop+Musik00087121.mov|center|450px|frameless|©Rieke&Karlotta]] | |||
[[File:Film Januskop+Musik00090000.mov|center|450px|frameless|©Rieke&Karlotta]] | |||
'''<sup>_____________________________________________________________________________________________________________________janus head gifs dissolved in screen video. © Rieke&Karlotta</sup>''' | |||
[[File:Bildschirme.mp4|©Tobias&Rieke&Karlotta|700px|center]] | |||
_______________________________________________________'''<sup>digital imitation of the janus head with blender shown in Narva 23.05.2025 © Tobias&Rieke&Karlotta</sup>''' | |||
<nowiki>Bei }} from stone to stone {{ handelt es sich um eine audiovisuelle Installation, die den Ölschiefer in den Bereich des fühlbaren zieht. Mittels verschiedener Methoden wurde der Ölschiefer auseinandergenommen und wieder zusammengefügt. Dabei finden die beiden Künstler*innen digitale und analoge Konstruktionsweisen. In der Ausstellung wurden diese thematisch aufgeteilt und auf den Laptop Bildschirmen, die mit dem Rücken zueinander standen abgespielt. Der entstandene Janus Kopf soll auch unseren zwiespältigen Umgang mit der uns im nordöstlich Estland befindenden Natur widerspiegeln. Zum Beispiel empfinden wir die nach der Ölschieferproduktion vorgefundene Natur als künstlich, während dort doch eigentlich Steine (Ölschiefer) herumliegen, die circa 180 Millionen Jahre alt sind. Zudem gibt es dort Hügel, von denen man genüsslich in die Ferne schauen kann, was sonst im flachen Nordosten nicht möglich ist. Die Hügel bestehen aus Überresten der Ölschieferproduktion und entzünden sich an manchen Stellen selbst. Ein See, der die Umgebung karibisch aussehen lässt, ist mit für Menschen giftigem alkalischem Wasser gefüllt. Unsere Praxis setzte sich auch mit den möglichen Rekonstruktionen auseinander, die unter dem etwaigen Naturbegriff möglich sind. </nowiki> | |||