GMU:Re-enchanting the field/The geo-history of oil shale in Estonia: Difference between revisions
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* Larisa Crunțeanu/Sonja Hornung: “to slip, to slide, to glitch: Navigating Uneasy Landscapes.” In: INSERT. Artistic Practices as Cultural Inquiries, Issue 6, Troubled Matter—Thinking with Sedimented Histories, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/to-slip-to-slide-to-glitch/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030438</nowiki>. | * Larisa Crunțeanu/Sonja Hornung: “to slip, to slide, to glitch: Navigating Uneasy Landscapes.” In: INSERT. Artistic Practices as Cultural Inquiries, Issue 6, Troubled Matter—Thinking with Sedimented Histories, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/to-slip-to-slide-to-glitch/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030438</nowiki>. | ||
* Mareike Bernien/Alex Gerbaulet: „Sonne Unter Tage – Fragmente gesammelt auf den Halden unserer zusammengetragenen Geschichten“. In: INSERT. Artistic Practices as Cultural Inquiries, Ausgabe 6, Troubled Matter – Denken mit sedimentierten Geschichten, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/sonne-unter-tage/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030408</nowiki>. | * Mareike Bernien/Alex Gerbaulet: „Sonne Unter Tage – Fragmente gesammelt auf den Halden unserer zusammengetragenen Geschichten“. In: INSERT. Artistic Practices as Cultural Inquiries, Ausgabe 6, Troubled Matter – Denken mit sedimentierten Geschichten, 2024, URL: <nowiki>https://insert.art/ausgaben/troubled-matter/sonne-unter-tage/</nowiki>, DOI: <nowiki>https://doi.org/10.5281/zenodo.14030408</nowiki>. | ||
''NOTE: This project is only interesting for the way they work with radiation as a photographic device, not for the concept note of the project. Using x-ray film for capturing the afterlife of uranium extraction is interesting. It allowed to visualize the recalibration of elemental flows in contaminated soils that would otherwise be imperceptible.'' | ''NOTE: This project is only interesting for the way they work with radiation as a photographic device, not for the concept note of the project. Using x-ray film for capturing the afterlife of uranium extraction is interesting. It allowed to visualize the recalibration of elemental flows in contaminated soils that would otherwise be imperceptible.'' |
Revision as of 07:54, 16 April 2025
The geo-history of oil shale in Estonia
Zoom Link: https://dieangewandte-at.zoom.us/j/65584240536
Guest Lecture: Riho Mötlep, Institute for Geology and Earth Science, University of Tartu
Topics: What is oil shale? Topography of extraction Waste/Environmental impact
Methodological Briefing: Mindaugas Gapševičius & Felix Bonowski, Bauhaus University Weimar
Topics: acoustic ecology, chromatography, listening exercises; Instructions for Group Work (3- 5 people)
Homework: Idea paper (1 page): What relational dynamics / transformations do you want to explore?
Follow Briefing on Google Drive.
Key Steps (in preparation of field week)
▪ Select an object, organism, specimen, people or places to study
▪ Conduct preparatory research based on course readings and online lectures
▪ Summarize your research interest/planned experiment in the research diary on your personal wiki page
- 5+ sentences background info,
- 10+ sentences description: main object/focus of fieldwork, research question, anticipated outcomes
- 5+ technical description: tools, method, process
- 5+ references
Due: by April 30th 2025 noon
Recommended Readings:
- Ulrike Gerhart & Julia Wolf, 2024 Troubled Matter—Thinking with Sedimented Histories
Examples Fieldprojects
- Larisa Crunțeanu/Sonja Hornung: “to slip, to slide, to glitch: Navigating Uneasy Landscapes.” In: INSERT. Artistic Practices as Cultural Inquiries, Issue 6, Troubled Matter—Thinking with Sedimented Histories, 2024, URL: https://insert.art/ausgaben/troubled-matter/to-slip-to-slide-to-glitch/, DOI: https://doi.org/10.5281/zenodo.14030438.
- Mareike Bernien/Alex Gerbaulet: „Sonne Unter Tage – Fragmente gesammelt auf den Halden unserer zusammengetragenen Geschichten“. In: INSERT. Artistic Practices as Cultural Inquiries, Ausgabe 6, Troubled Matter – Denken mit sedimentierten Geschichten, 2024, URL: https://insert.art/ausgaben/troubled-matter/sonne-unter-tage/, DOI: https://doi.org/10.5281/zenodo.14030408.
NOTE: This project is only interesting for the way they work with radiation as a photographic device, not for the concept note of the project. Using x-ray film for capturing the afterlife of uranium extraction is interesting. It allowed to visualize the recalibration of elemental flows in contaminated soils that would otherwise be imperceptible.