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| [[https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Media_Art_Strategies/Leon-Etienne_Kühr/Project_old old project about telepresence]] | | [[https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Media_Art_Strategies/Leon-Etienne_Kühr/Project_old old project about telepresence]] |
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| | =Präsenz (Mensch + Prothese)= |
| | Entwurf für eine Installation von Leon-Etienne Kühr und Clemens Hornemann |
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| '''(Presence = Man +) Prosthesis,'''
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| ''an installation''
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| | ==Kurzbeschreibung== |
| | Die Installation "Präsenz (Mensch + Prothese)" befasst sich mit der Untrennbarkeit physischer und digitaler Präsenz in der heutigen Zeit. |
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| Man is a technical being, has ever been, now feeling more and more disjointed from its ever more complex technical prostheses, as it is at the same time growing together with them more and more.
| | Ein mittig im Raum installiertes Smartphone misst die Signale und Wellen, die wir und unsere digitalen Geräte ausstrahlen. In einem Wasserbecken werden durch Interferenzmuster und Wellen die gemessenen Daten dargestellt und reagieren kurz und langfristig auf die Veränderungen im Raum — die Menschliche Präsenz als messbare Größe sichtbar gemacht. |
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| In the installation, a smartphone will measure the (invisible) signals/waves that we and our digital prostheses, our smartphones, emit in the room, defining our analog and digital presence/identity/entirety. Through various “actors” the measured data will then be live displayed/transferred in an analog material to make them tangible and visible.
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| | ==Prototypen== |
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| | [[File:PMP_Skizze_new.jpg|351px]] |
| | [[File:PMP_Function_b.jpg|351px]] |
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| [[File:Function_b.jpg|600px]] | | [[File:PMP_O2.JPG|351px]] |
| | [[File:PMP_O4b.jpg|351px]] |
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| [[File:Skizze_prosthesis_b.jpg|600px]] | | [[File:PMP_P1.jpg|285px]] |
| | [[File:PMP_P2.JPG|285px]] |
| | [[File:PMP_P4.jpg|127px]] |
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| '''Considerations:'''
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| ''Material:''
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| - Fluid: non newtonian (thick/liquid), maybe thermochromic, black | |
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| - Actors under/in the fluid: (sound)-waves/vibration (exciters, speakers), pressure (fans/turbines), heat (Peltiere elements) | |
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| -> How will we control them? How the rules/translation from data to forms will look like? | |
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| ''Interpretation of data necessary for:''
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| - bringing different data sizes and scales without relation between each other together
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| - make single dimension multidimensional or vice versa.
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| - display data like WiFi-names
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| ''Output conditions/needs/thoughts:''
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| - immediate response when human is present.
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| - longtime changes visible -> visible in the room -> splashes etc.
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| - overall entirety but also detail image
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| - equal-weighted sensors -> no hypertrophy of some senses
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| - pure smartphone /no extra sensors/extensions
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| - haptic: yes (->non toxic), direct influence trough viewer: no
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| - the installation is allowed to destroy itself (whereas this is not a set goal)
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| '''Inspirations/Influences:'''
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| - Bernard Stiegler in „The Ister“ about man and technics:
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| [https://www.youtube.com/watch?v=ymtnUDAOEWc youtube: part 1]
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| [https://www.youtube.com/watch?v=Znvdk5cq9f4 part 2]
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| - Carsten Nicolai: Wellenwanne, Chroma actor and more
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| - Hannes Kalk: .fluid: speculative proposal for a touch-friendly interface [http://folksonomy.co/?permalink=3867]
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| - Rebecca Horn: e.g. Körperphantasien
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| - Christina Kubisch
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| - Ryoji Ikeda: Dataverse
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| - Olafur Eliason: Notion Motion
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| - Martin Krzywinski: music video for Max Cooper
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| - previous studies, influences and thoughts on our telepresence project [https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Media_Art_Strategies/Leon-Etienne_Kühr/Project_old]
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| '''Keywords/Tags:'''
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| Human Presence. Man as technical being. Freud: Prothesengott. How to separate appearance from essence. The visible and the invisible. Waves. Sensors. Surveillance. Smartphones. Everyday life. Dynamics of being. Transforming technics. Information Age. Stable-Unstable. Change is normality. The unstable – essence of reality. Becoming (human).
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