|
|
|---|
|
RelaysBernhard Siegert, Relays. Literature As an Epoch of the Postal System
(Writing Science), Transl. by Kevin Repp, Stanford University Press, Stanford,
CA., 1998 Kurzbeschreibung Towards the end of his life, a most bewildered Franz Kafka asked Milena
Jesenskà, how one could have thought of the idea, that "people
can communicate through letters." To answer this question while keeping
the perspective of the improbability of communication, this book turns
to the history of the postal service and the technical communications
media, respectively, but not in the usual way of cultural or ecomomic
histories but through the premises of the work of Michel Foucault and
Jacques Derrida. Since the processes of legitimation, which turn literature
into a discourse of truth and (male) writers into authorities that rule
by words over the desires of (female) others, consist most of all of processes
of transmission and of creating networks, means of communication belong
to the constituing conditions of literature. Authors have to be post masters.
Siegert suggests therefore a new kind of writing literary history, that
maps the history of literature onto a history of communications media.
It locates the apriori of the discoursive power of literature in a beyond
of interpretation, which is its materialities of communication in a very
literal sense. The book is divided in three main parts: The first reconstructs the postal
conditions of classic-romantic literature, which are first of all the
invention of postage in the seventeenth century, that transformed postal
systems into a service which is meant to be used by the population (instead
of the prince alone), and second the sexualization of letter writing which
was introduced by Gellert in the middle of the 18th century. This transformed
the reading of letters into interpretations of intimate confessions of
the soul. Goethe then turned this new ontology of the letter, established
by his teacher Gellert, into a logistics of literature. In this he was
supported by the princes of Thurn und Taxis who granted him with a postage
privilege. The letters that Kleist wrote to Wilhelmine von Zenge finally
reveal how literary authorship was constructed around 1800 by means of
postal logistics with the precision of an engineer. The second part analyzes the innovations of the 19th century that brought
up the end of a postal era in which individuals could communicate through
letters and in which literary works could live off such a communication:
Rowland Hills post office reform and the invention of the stamp, the Universal
Postal Union that subjected letter writing to an ecomomy of media and
its a priori uniform standards, the post card that subjected letters to
the standards of printed matter, the electrical telegraph and the telephone
that surpassed literature by its effects of speed, economy and analogue
signal processing. Thus, post card, typewriter, telegraph and telephone
are the historical media aprioris of modern literature. By a close reading of Kafkas's letters to his fiancée, the typist Felice Bauer, Siegert finally demonstrates in detail, how postal logistics of love and authorship work in the era of modern postal systems and technical media. Thereby the correspondence is deciphered as a "war of nerves", that is waged on Bauer by means of all available techniques and conditions of transmission with the aim to reconstruct authorship beyond the historical limits of man.
|