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SoSe 2026

Patterns. Acting in complex environments - Einzelansicht

  • Funktionen:
  • Zur Zeit keine Belegung möglich
Grunddaten
Veranstaltungsart Projektmodul SWS 16
Veranstaltungsnummer 326120005 Max. Teilnehmer/-innen 15
Semester SoSe 2026 Zugeordnetes Modul
Erwartete Teilnehmer/-innen 15
Rhythmus
Hyperlink  
Weitere Links https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Patterns
Sprache englisch
Belegungsfrist Fakultät Kunst und Gestaltung    03.04.2026 - 07.04.2026   
Termine Gruppe: [unbenannt]
  Tag Zeit Rhythmus Dauer Raum Raum-
plan
Lehrperson Bemerkung fällt aus am Max. Teilnehmer/-innen
Einzeltermine anzeigen
Di. 09:15 bis 12:30 wöch. von 14.04.2026  Bauhausstraße 9a - Gestalterisches Zentrum 001      
Einzeltermine anzeigen
Mi. 11:00 bis 16:30 wöch. von 15.04.2026     

Konsultation

 
-.  bis  Block 07.09.2026 bis 14.09.2026     

Exkursion Ars Electronica

 
Gruppe [unbenannt]:
Zur Zeit keine Belegung möglich
 


Zugeordnete Personen
Zugeordnete Personen Zuständigkeit
Gapsevicius, Mindaugas begleitend
Damm, Ursula, Prof., Dipl. in audiovisuellen Medien verantwortlich
Studiengänge
Abschluss Studiengang Semester Leistungspunkte
M. F. A. Medienkunst/Mediengestaltung (M.F.A.), PV29 - 18
B. F. A. Medienkunst/Mediengestaltung (B.F.A.), PV19 - 18
M. F. A. Medienkunst/Mediengestaltung (M.F.A.), PV19, 4-Semester - 18
M. F. A. Medienkunst/Mediengestaltung (M.F.A.), PV2021, 4-Semester - 18
M. F. A. Medienkunst/Mediengestaltung (M.F.A.), PV2021, 2-Semester - 18
B. F. A. Medienkunst/Mediengestaltung (B.F.A.), PV29 - 18
Zuordnung zu Einrichtungen
Gestaltung medialer Umgebungen
Mediengestaltung/Medienkunst
Inhalt
Beschreibung

A pattern describes a regularity in the world that repeats over time or across space, enabling recognition, prediction, and the emergence of order. Patterns in data corpora gained with sensors can only be observed through processes of analysis. However, patterns are not just something that we can recognise or derive from data. Addressing patterns of behavior can be a way of bringing things together, enabling understanding between human, non-human and non-machinic actors.

 

The use of patterns can bridge the gap between different actors by referring to a known framework through which interaction may happen. By addressing mutually recognisable behaviors, patterns enable forms of understanding, even in matters that are yet unknown.

 

Gregory Bateson uses the term ”pattern which connects” to refer to the interconnectedness and underlying structures that exist within complex systems, whether in nature, society, or mind. He describes these patterns as blueprints that enable exchange, comprehension, and continuity.

 

One way to understand how patterns can be incorporated into our artistic practice is through the example of dance. When two people dance together, their interaction is shaped by the dances they know, have learned, and how they danced before. Dancing always exceeds what has already been learned before. One might try to understand the other's movements in the context of 'dancing' as an inherited habit. While "reading" the other, one draws on knowledge that has established itself as a mode of social custom. For interacting, it is important to respond directly to the behavior of the other, even when it means departing from the known patterns of dancing. By recognizing the pattern one can even modify it.

 

The project module welcomes participants to work on self-defined projects. The projects can correspond to their own areas of focus and can move freely within the context of the subject ”Patterns.” The module offers literature and a thematic framework to sharpen and intensify the respective artistic practice. Students are expected to be able and willing to work in a self-organized manner and to actively engage in the discourses of the module.

 

Please send a short letter of motivation to ursula.damm@uni-weimar.de before inscribing in the module.

Literatur

Gregory Bateson, Steps to an Ecology of Mind, p. 470

 

Andrew Pickering, ”The Cybernetic Brain – Sketches of another future”, The University of Chicago Press. 2011, p. 19 f

 

Sacha Kagan, Art and Sustainability. Connecting Patterns for a Culture of Complexity. Transcript 2011.

Leistungsnachweis

Abgabe von PDF, Video, Text und Bild, mögl. Präsentation als Ausstellung


Strukturbaum
Die Veranstaltung wurde 3 mal im Vorlesungsverzeichnis SoSe 2026 gefunden:
Projektmodule  - - - 1
Projektmodule  - - - 2

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