{"id":97,"date":"2022-04-22T19:41:30","date_gmt":"2022-04-22T17:41:30","guid":{"rendered":"https:\/\/www.uni-weimar.de\/projekte\/workingtitles\/?post_type=issue&p=97"},"modified":"2023-11-14T20:38:59","modified_gmt":"2023-11-14T19:38:59","slug":"stone-soup","status":"publish","type":"issue","link":"https:\/\/www.uni-weimar.de\/projekte\/workingtitles\/issue\/stone-soup\/","title":{"rendered":"STONE SOUP \u2013 An Apparatus for Taste & Transformation"},"content":{"rendered":"\n
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EDITORIAL<\/h2>\n\n\n\n

Stone Soup<\/em> is a folk\u00adtale that pre\u00adsum\u00adably orig\u00adi\u00adnat\u00aded some\u00adwhere in Europe in the 18th cen\u00adtu\u00adry. The sto\u00adry is about a hun\u00adgry stranger who arrives in town and con\u00advinces the wary locals to all pitch in for a col\u00adlec\u00adtive meal. The vis\u00adi\u00adtor tricks his reluc\u00adtant hosts into shar\u00ading their ingre\u00addi\u00adents by claim\u00ading he can make an entire pot of savory soup using only a mag\u00adi\u00adcal stone. He does hap\u00adpen to men\u00adtion, how\u00adev\u00ader, that the soup could use a bit of gar\u00adnish or an extra car\u00adrot\u2026 if they hap\u00adpen to have one lying around. Intrigued by the promise of mag\u00adic, the towns\u00adpeo\u00adple are hap\u00adpy to donate their stashed reserves. Soon enough a rich and steamy soup is put together. <\/p>\n\n\n\n

Around the globe, iter\u00ada\u00adtions of the fable vary. In place of the stone some\u00adtimes comes an axe, some\u00adtimes it\u2019s But\u00adton Soup or Nail Soup, and so on. One prin\u00adci\u00adple con\u00adcurs: An oth\u00ader\u00adwise ined\u00adi\u00adble object is cre\u00adative\u00adly trans\u00adformed using a recipe whose only con\u00adstant ingre\u00addi\u00adent is shar\u00ading<\/em>. By decep\u00adtive means\u2014worse or bet\u00adter intended\u2014the stranger con\u00advinces a group of \u2026 (Full Edi\u00adto\u00adr\u00adi\u00adal in the PDF).<\/p>\n\n\n\n

QUOTENMODULATOR, ein generatives 3D-Tool. Visuelle, haptische, spekulative und performative Wissensgenerierung<\/h2>\n\n\n\n

Christi\u00adna Karababa<\/p>\n\n\n\n

Mit\u00adtels k\u00fcn\u00adst\u00adlerisch\u00ader Vorge\u00adhensweisen k\u00f6n\u00adnen Denkprozesse angesto\u00dfen wer\u00adden, die diszi\u00adplin\u00e4re Gren\u00adzen aufheben, sodass Forschungs\u00adfelder in einen Diskurs ein\u00adtreten k\u00f6n\u00adnen. Der Quoten\u00admod\u00adu\u00adla\u00adtor ist ein pro\u00adgram\u00admiertes Tool, das for\u00admale 3D-Mod\u00adelle von The\u00ado\u00adri\u00adetex\u00adten erzeugt, die dadurch selb\u00adst for\u00admal\u00adisierte The\u00ado\u00adrien wer\u00adden. Diese k\u00f6n\u00adnen Speku\u00adla\u00adtio\u00adnen und M\u00f6glichkeit\u00aden vorzeigen, die abduk\u00adtiv erken\u00adnt\u00adnis\u00adgewin\u00adnende Prozesse evozieren und schlie\u00dflich rekur\u00adsiv neue The\u00ado\u00adrien ansto\u00dfen.<\/p>\n\n\n\n

Findlinge #1\u20137<\/h2>\n\n\n\n

Edith Kol\u00adlath<\/p>\n\n\n\n

Fin\u00add\u00adlinge erscheinen uns schw\u00adergewichtig, kom\u00adpakt, hart und autonom. Als Solit\u00e4re sind sie aus gr\u00f6\u00dferen Gesteins\u00adge\u00adf\u00fc\u00adgen her\u00adaus\u00adgel\u00f6st; in stum\u00admer Zeu\u00adgen\u00adschaft haben sie die Ereignisse zahllos\u00ader Epochen absorbiert. Das lange ungel\u00f6ste R\u00e4t\u00adsel ihrer Herkun\u00adft trug ihnen zun\u00e4chst den Namen \u201eerratis\u00adche\u201c \u2013 umherir\u00adrende \u2013 Bl\u00f6cke ein. Sie waren nicht aus dem gle\u00adichen Mate\u00adr\u00adi\u00adal wie ihre Umge\u00adbung, keine Zuge\u00adh\u00f6rigkeit oder Ver\u00adwandtschaft lie\u00df sich ermit\u00adteln, so dass sie schnell als Fremdlinge, als min\u00ader\u00adal\u00ado\u00adgis\u00adche Immi\u00adgranten iden\u00adti\u00adfiziert wurden.<\/p>\n\n\n\n

Primordial. Generations at the End.<\/h2>\n\n\n\n

Gabriel S Moses<\/p>\n\n\n\n

A heat-strick\u00aden tan\u00adgent drawn by father and son about the sub\u00adject of generations\u2014or more pre\u00adcise\u00adly, about the peo\u00adple who try to define gen\u00ader\u00ada\u00adtions in order to dic\u00adtate the future, and how this betrays their denial of any\u00adthing beyond the present.<\/p>\n\n\n\n

Gartenweg. Ein Versuch in Wort und Bild<\/h2>\n\n\n\n

Ann-Kathrin M\u00fcller<\/p>\n\n\n\n

Eine Nahauf\u00adnahme des k\u00fcn\u00adst\u00adlerisch-forschen\u00adden Prozess\u00ades. Hin\u00adter\u00adgrund mein\u00ader Forschung ist die bish\u00aderige Ver\u00adnach\u00adl\u00e4s\u00adsi\u00adgung und Triv\u00adi\u00adal\u00adisierung bild\u00adner\u00adisch\u00ader Erken\u00adnt\u00adn\u00adis\u00adfor\u00admen, ins\u00adbeson\u00addere in den Geis\u00adteswis\u00adsenschaften. Dieses Defiz\u00adit akademis\u00adch\u00ader For\u00admate speist sich unter anderem aus dem Fehlen detail\u00adliert\u00ader Beschrei\u00adbun\u00adgen, wie Bilder und Bild-Text-Kom\u00adbi\u00adna\u00adtio\u00adnen entste\u00adhen. Die Arbeit ist dop\u00adpel\u00adb\u00f6dig: zun\u00e4chst erkunde ich das metapho\u00adrische Poten\u00adzial des Garten\u00adwegs zeich\u00adner\u00adisch und schriftlich und beleuchte die Funk\u00adtion\u00adsweise des Konzepts als Meta\u00adpher, sowie seine Anwen\u00addungs\u00adbere\u00adiche in ver\u00adschiede\u00adnen Kon\u00adtex\u00adten. Es wird so zeich\u00adner\u00adisch und schriftlich eine all\u00adge\u00admeine Mod\u00adell\u00adbil\u00addung des Garten\u00adwegs ver\u00adsucht, die den Hin\u00adter\u00adgrund ein\u00ader darauf auf\u00adbauen\u00adden Artiku\u00adla\u00adtion des Garten\u00adwegs als Meta\u00adpher bildet. Dem Konzept der Stein\u00adsuppe fol\u00adgend zeigt der illus\u00adtri\u00aderte Artikel anhand dieser Fall\u00adstudie, wie aus \u201aNichts\u2018 \u201aEtwas\u2018 wird\u2026<\/p>\n\n\n\n

Navel-Gazing: The Conundrum of the Female Image<\/h2>\n\n\n\n

Xenia Mura Fink<\/p>\n\n\n\n

Female artists have been react\u00ading to the mul\u00adti\u00adply\u00ading streams of images of women through\u00adout mod\u00adern his\u00adto\u00adry by sub\u00admit\u00adting them to inquiry, adding their per\u00adspec\u00adtives, and embrac\u00ading or reject\u00ading what seems estab\u00adlished. Fem\u00adi\u00adnist the\u00ado\u00adrists intro\u00adduced the ques\u00adtion of gaze to uncov\u00ader imag\u00ading con\u00adven\u00adtions and find new prospects. I believe that the the\u00ado\u00adret\u00adi\u00adcal con\u00adstruct of the gaze may iden\u00adti\u00adfy prob\u00adlems but doubt that a change of per\u00adspec\u00adtive is enough to solve the dilem\u00adma of patri\u00adar\u00adchal imprint\u00ading on images. This text is a sub\u00addued rant about the fig\u00adu\u00adra\u00adtions women are expect\u00aded to con\u00adform to and rise above. In the hope that a mul\u00adti\u00adplic\u00adi\u00adty of sub\u00adjec\u00adtiv\u00adi\u00adties may offer a rad\u00adi\u00adcal change to the female image-mak\u00ading, I reflect on why this pre\u00adoc\u00adcu\u00adpa\u00adtion seems nev\u00ader ending.<\/p>\n<\/div>\n\n\n\n

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Issue No. 1\/2022S
STONE SOUP \u2013 An Apparatus for Taste & Transformation<\/h2>\n\n\n\n

DOWNLOAD<\/a><\/h2>\n<\/div>\n<\/div>\n\n\n\n

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