{"id":2586,"date":"2023-02-21T22:35:41","date_gmt":"2023-02-21T21:35:41","guid":{"rendered":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/?p=2586"},"modified":"2024-05-28T18:02:24","modified_gmt":"2024-05-28T16:02:24","slug":"vuvuzelas-and-sun-damage-by-warrick-sony-swinney-on-deutschlandfunk-kultur-february-24-2023","status":"publish","type":"post","link":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/vuvuzelas-and-sun-damage-by-warrick-sony-swinney-on-deutschlandfunk-kultur-february-24-2023\/","title":{"rendered":"Vuvuzelas and Sun Damage by Warrick (Sony) Swinney on Deutschlandfunk Kultur February 24, 2023"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"576\" src=\"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-content\/uploads\/2023\/02\/DLF-Warrick-\u00a9-Eyeem-Kingsley-Davis--1024x576.jpg\" alt=\"\" class=\"wp-image-2587\" srcset=\"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-content\/uploads\/2023\/02\/DLF-Warrick-\u00a9-Eyeem-Kingsley-Davis--1024x576.jpg 1024w, https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-content\/uploads\/2023\/02\/DLF-Warrick-\u00a9-Eyeem-Kingsley-Davis--300x169.jpg 300w, https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-content\/uploads\/2023\/02\/DLF-Warrick-\u00a9-Eyeem-Kingsley-Davis--768x432.jpg 768w, https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-content\/uploads\/2023\/02\/DLF-Warrick-\u00a9-Eyeem-Kingsley-Davis--1536x864.jpg 1536w, https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-content\/uploads\/2023\/02\/DLF-Warrick-\u00a9-Eyeem-Kingsley-Davis-.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Was haben Fu\u00dfballtr\u00f6ten mit heiligen Trompeten und Sonnenbrand zu tun? Diese akustische Autobiografie gibt Antworten. \u00a9 Eyeem \/ Kingsley Davis<\/figcaption><\/figure>\n\n\n\n<p>Original broadcast<br><strong>Vuvuzelas and Sun Damage<\/strong><br>By Warrick Swinney<\/p>\n\n\n\n<p>Production: Deutschlandfunk Kultur\/Goethe-Institut\/Bauhaus-Universit\u00e4t Weimar 2023<\/p>\n\n\n\n<p>Length: approx. 54&#8217;30<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/ondemand-mp3.dradio.de\/file\/dradio\/2023\/02\/24\/vuvuzelas_and_sun_damage_drk_20230224_0005_0a657b9e.mp3\"><\/audio><\/figure>\n\n\n\n<p>White pop against apartheid: this is how the South African musician Warrick Swinney became famous in the 1980s. Later he worked as a sound designer and sound engineer. Now he is composing an acoustic autobiography.<\/p>\n\n\n\n<p>Warrick Swinney is a legend in South Africa. His band Kalahari Surfers was one of the pioneers of white anti-apartheid pop in the 1980s. Later he worked as a sound engineer, sound designer and composer for the artist William Kentridge, among others.<\/p>\n\n\n\n<p>In &#8220;Vuvuzelas and Sun Damage&#8221; he conjures up the ghosts of the past: in a mixture of plunderphonics and autobiography, he tells what football trumpets have to do with holy trumpets and sunburn.<\/p>\n\n\n\n<p>The composition was created as part of the Radio Art Residency Weimar, a joint project of the Goethe-Institut and the Experimental Radio at the Bauhaus University Weimar in cooperation with the Hochschule f\u00fcr Musik Franz Liszt, Deutschlandfunk Kultur, Radio Lotte, the EIGENHEIM Weimar\/Berlin and the ACC Galerie Weimar.<\/p>\n\n\n\n<p><strong>Warrick Swinney<\/strong>, born 1958, better known by his stage name Warrick Sony, founded the band Kalahari Surfers in 1982. 2000-2018 he worked at Milestone Studios Cape Town in sound design and music production. Swinney explores the themes of silence, self-censorship and the tensions between politics and art in totalitarian states.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Original broadcastVuvuzelas and Sun DamageBy Warrick Swinney Production: Deutschlandfunk Kultur\/Goethe-Institut\/Bauhaus-Universit\u00e4t Weimar 2023 Length: approx. 54&#8217;30 White pop against apartheid: this is how the South African musician Warrick Swinney became famous in the 1980s. Later he worked as a sound designer and sound engineer. Now he is composing an acoustic autobiography. Warrick Swinney is a legend [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[60,78],"tags":[],"_links":{"self":[{"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/posts\/2586"}],"collection":[{"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/comments?post=2586"}],"version-history":[{"count":3,"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/posts\/2586\/revisions"}],"predecessor-version":[{"id":2698,"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/posts\/2586\/revisions\/2698"}],"wp:attachment":[{"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/media?parent=2586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/categories?post=2586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uni-weimar.de\/projekte\/radioartresidencyweimar\/wp-json\/wp\/v2\/tags?post=2586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}