GMU:Max and I, Max and Me/Fionn McErlean/Research: Difference between revisions

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* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]
* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]


Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]
* Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]

Revision as of 23:33, 16 June 2021

Work i'm exploring:

Artists using MaxMSP

  • Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.
  • Zeynep Ayguler 'eye tracker' piece [1]
  • Another interesting piece using MaxMSP to play the paino [2]
  • 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [3]
  • Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [4]
  • Spectral Drone & Piano Seek [5]


Personal + Related to my Practice

  • Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [6]
  • Marc Couroux 'The Extra Musical' [10]
  • Samuel Beckett and Textual Dynamism [11]