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During crazy quarantine times I decided | During crazy quarantine times I decided to visualise the drawings of mine into a different context and medium, and therefore to create a virtual scenography. I designed objects in 3D surrounding (Rhino), and created a sterile and clean interior. | ||
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New life - more like new surrounding. I implemented separate components (objects) into Unity and gave them materiality. The light was important, so I was discovering the possibilities of it, as well. The stages of this chapter are shown here: | New life - more like new surrounding. I implemented separate components (objects) into Unity and gave them materiality (textures, reflectivity, shaders). The light was important, so I was discovering the possibilities of it, as well. The stages of this chapter are shown here: | ||
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The whole process and progress is formalized at the end as a virtual scenography that follows the static, previously established interior design and the dinamic quotes of my favorite radio drama (that I was listening at that very same | The whole process and progress is formalized at the end as a virtual scenography that follows the static, previously established interior design and the dinamic quotes of my favorite radio drama (that I was listening at that very same quarantine time) - delusional thoughts of a man who is facing his new life. | ||
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IV'' see it here'' | IV'' see it here'' | ||
https://www.youtube.com/watch?v=BDAe7qHlC-8 | https://www.youtube.com/watch?v=BDAe7qHlC-8 | ||
Revision as of 14:29, 16 June 2020
x xxx x xx x x sce n o gra ph y x x xxx x x x xxx x xx x x x x x xx x x x xx xx x xx x x x x x xx x x x xx xx x x
I tabula rasa
During crazy quarantine times I decided to visualise the drawings of mine into a different context and medium, and therefore to create a virtual scenography. I designed objects in 3D surrounding (Rhino), and created a sterile and clean interior.
II new life
New life - more like new surrounding. I implemented separate components (objects) into Unity and gave them materiality (textures, reflectivity, shaders). The light was important, so I was discovering the possibilities of it, as well. The stages of this chapter are shown here:
III i choose you
The whole process and progress is formalized at the end as a virtual scenography that follows the static, previously established interior design and the dinamic quotes of my favorite radio drama (that I was listening at that very same quarantine time) - delusional thoughts of a man who is facing his new life.
x x xx x x x x x x x xxxx x x x xxx x x x xxxx x x xx x x x x x xx x x x xx xxx x x x x x x x xxxxx x x x xxx x x x
IV see it here
https://www.youtube.com/watch?v=BDAe7qHlC-8
x x xx x x x x x x x xxxx x x x xxx x x x xxxx x x xx x x x x x xx x x x xx xxx x x x x x x x xxxxx x x x xxx x x x