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“common ground” is a participatory installation, creating a space in which the attendee can connect with the micro-algae Euglena Gracilis, through the shared experience of sonic frequencies. The installation consists of a dimly lit room, where E. Gracilis cells can be seen as projections, magnified through a microscope, as well as in shallow glass bowl, which stand on pedestals, that are spread around the room. Through the room vibrate sonic waves in form of musical drones. The participator is invited to watch their own inner reaction to the stimulant. The reaction of Euglena is left open and up to interpretation, trying to show the expectations a visitor might have about seeing the other beings react, instead of watching their own reactions.
“Common ground” is a participatory room installation.  It creates a space in which the Visitor can connect with the micro-algae Euglena Gracilis through the shared experience of sonic frequencies.  
The installation consists of a dimly lit room with shallow glass bowls of E. Gracilis. Live videos of Euglina observed through a microscope will be projected onto the wall.   Sonic waves in form of musical drones (monotonous frequencies) will vibrate through the space.  
The participator is invited to watch their own inner reaction to the stimulants as well as the reaction of E. Gracilis. How, or if, the micro algae is also responding to the vibrations is left open and up to interpretation.


The goal of the exhibition is to make the visitor aware of their surrounding and their inner workings and movements.
Microorganisms always surround us, they make up a crucial part of our living space and are vital for our survival. Nevertheless they are widely overlooked. ‘Common ground’ is trying to make the unseeable visible and to build bridges into realms where they naked human eye cannot reach.
By confronting the human mind with the monotony of the soundscape, the emotional and thought patterns that sleep within our subconscious are awoken. These thoughts and feelings ‘rebel’ against the stillness. This state of mind has a meditative, trance-like quality to it. It is an invitation to go on a journey of self-inquiry.
Playing with these two contrary directions of sending ones attention - to the algae and to personal thoughts-, ‘common ground’ is a journey inside and outside of the human mind. By this, seemingly contrary perspectives are brought together. Just like the different beings with different principles of perception -humans and micro-algae -are brought together in the installation.
The project is a space to connect, to unite and to find ways  in which opposites can meet. And even if they might not interact they can share a space together. Aware of their own and the other’s existence.


The installation aims for creating a space for inter-special connection in-between human and E. Gracilis, a connection which would not naturally happen, because humans and microorganisms have fundamentally different ways of experiencing reality. The ways how we perceive the world almost never overlap, even though we share the same space of living. “common ground” does not indent to create a inter-special communication, but instead to create a place, where different forms of being can experience their reality in their natural way. We humans tend to create hierarchies of higher and lesser beings, based on different ways of perceiving, “common ground” gives the room to experience reality as equals, connected in being not connected.
 
 
The topic of becoming aware of our surrounding and acknowledging other beings (including other humans) as equal to us, is becoming more and more crucial. Problems like climate change and wide spread depression have become unescapable facts. Becoming aware of what happens in and around us is necessary for the well being of us and of the planet.
We are living in a world that drives us into getting lost in objects and problems. One cause of that is hierarchic, patriarchal thinking. This leads to a common feeling of being lost, not grounded, and desolated. Breaking this cycle is necessary to create a world in which we can live respectfully and aware of the existence of others around us. Briefly said, a more empathetic world.
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The installation features live transmitted video of the organisms under the microscope and a stereo sound system. The drone music, monotonic frequencies  without melodies or rhythm, are played from a recording. The visitors and the euglina, have both the same stimulant, to which they do, or don't react. The magnification of euglena is projected on natural fabrics, instead of screens or white walls, to give the video a less digital and more natural feeling. These magnifications are used to show what is also happening in the glass bowls that feature Euglena living in their medium.  
The installation features live transmitted video of the organisms under the microscope and a stereo sound system. The drone music, monotonic frequencies  without melodies or rhythm, are played from a recording. The visitors and the euglina, have both the same stimulant, to which they do, or don't react. The magnification of euglena is projected on natural fabrics, instead of screens or white walls, to give the video a less digital and more natural feeling. These magnifications are used to show what is also happening in the glass bowls that feature Euglena living in their medium.  


Stressed are two perspectives onto E. gracilis (what we see with the naked eye, as well as the magnifications) to make  visible that we, as humans, could not even start to understand them in our natural state and to again show the underlying need to understand others, in the human nature. The projection functions as a trigger to set of this instinct, but stands in contrast with the possible non-reactiveness of the cells, that bring the visitor back into their own center of perception.
Stressed are two perspectives onto E. gracilis (what we see with the naked eye, as well as the magnifications) to make  visible that we, as humans, could not even start to understand them in our natural state and to again show the underlying need to understand others, in the human nature. The projection functions as a trigger to set of this instinct, but stands in contrast with the possible non-reactiveness of the cells, that bring the visitor back into their own center of perception.


==Research==
==Research==

Revision as of 14:34, 31 March 2022


Being a Unicellular Organism

2021/2022 Project and research

Cosmo Niklas Schüppel


common ground

An participatory installation that aims to create a space for an interspecial connection, inbetween humans and Euglena Gracilis - as equals



Common2.jpg

Common1.jpg


“Common ground” is a participatory room installation. It creates a space in which the Visitor can connect with the micro-algae Euglena Gracilis through the shared experience of sonic frequencies. The installation consists of a dimly lit room with shallow glass bowls of E. Gracilis. Live videos of Euglina observed through a microscope will be projected onto the wall. Sonic waves in form of musical drones (monotonous frequencies) will vibrate through the space. The participator is invited to watch their own inner reaction to the stimulants as well as the reaction of E. Gracilis. How, or if, the micro algae is also responding to the vibrations is left open and up to interpretation.

The goal of the exhibition is to make the visitor aware of their surrounding and their inner workings and movements. Microorganisms always surround us, they make up a crucial part of our living space and are vital for our survival. Nevertheless they are widely overlooked. ‘Common ground’ is trying to make the unseeable visible and to build bridges into realms where they naked human eye cannot reach. By confronting the human mind with the monotony of the soundscape, the emotional and thought patterns that sleep within our subconscious are awoken. These thoughts and feelings ‘rebel’ against the stillness. This state of mind has a meditative, trance-like quality to it. It is an invitation to go on a journey of self-inquiry. Playing with these two contrary directions of sending ones attention - to the algae and to personal thoughts-, ‘common ground’ is a journey inside and outside of the human mind. By this, seemingly contrary perspectives are brought together. Just like the different beings with different principles of perception -humans and micro-algae -are brought together in the installation. The project is a space to connect, to unite and to find ways in which opposites can meet. And even if they might not interact they can share a space together. Aware of their own and the other’s existence.


The topic of becoming aware of our surrounding and acknowledging other beings (including other humans) as equal to us, is becoming more and more crucial. Problems like climate change and wide spread depression have become unescapable facts. Becoming aware of what happens in and around us is necessary for the well being of us and of the planet. We are living in a world that drives us into getting lost in objects and problems. One cause of that is hierarchic, patriarchal thinking. This leads to a common feeling of being lost, not grounded, and desolated. Breaking this cycle is necessary to create a world in which we can live respectfully and aware of the existence of others around us. Briefly said, a more empathetic world.

The installation features live transmitted video of the organisms under the microscope and a stereo sound system. The drone music, monotonic frequencies without melodies or rhythm, are played from a recording. The visitors and the euglina, have both the same stimulant, to which they do, or don't react. The magnification of euglena is projected on natural fabrics, instead of screens or white walls, to give the video a less digital and more natural feeling. These magnifications are used to show what is also happening in the glass bowls that feature Euglena living in their medium.

Stressed are two perspectives onto E. gracilis (what we see with the naked eye, as well as the magnifications) to make visible that we, as humans, could not even start to understand them in our natural state and to again show the underlying need to understand others, in the human nature. The projection functions as a trigger to set of this instinct, but stands in contrast with the possible non-reactiveness of the cells, that bring the visitor back into their own center of perception.


Research

*for older entries scroll down*

03.01.2022

pre-project research (a summery and conclusion)

follow the link to read entry (03.01.2022)


25.11.2021

A meeting ground (project idea)

follow the link to read entry (25.11.21)


14.11.2021

A dance to invisible fields (project idea)

follow the link to read entry (b.14.11.21)

Invisible fields (project idea)

follow the link to read entry (14.11.21)


31.10.2021

Ethics of working with living beings

follow the link to read entry (31.10.21)


28.10.21

Euglina Gracilis and Bio-fuels

follow the link to read the entry (28.10.21)